The Cords of Vanity: A Comedy of ShirkingCabell, James Branch
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The Cords of Vanity: A Comedy of Shirking
Cabell, James Branch
Authors -- Fiction; Marriage -- Fiction; United States -- Social life and customs -- Fiction
"Then came the customary Orlando--oh, well! Alfred, if you like. The
name isn't altogether inappropriate, for he does encounter existence
with much the same abandon which I have previously noticed in a muffin.
For the rest, he was a nicely washed fellow, with a sufficiency of the
mediaeval equivalents for bonds and rubber-tired buggies and country
places. Oh, yes! I forgot to say that the man was poor,--also that the
girl had a great deal of common-sense and no less than three longheaded
aunts. And so the girl talked to the man in a common-sense fashion--and
after that she was never at home."
"Never?" said Rosalind.
"Only that time they talked about the weather," said I. "So the man
fell out of bed just about then, and woke up and came to his sober
senses."
"He did it very easily," said Rosalind, almost as if in resentment.
"The novelty of the process attracted him," I pleaded. "So he said--in
a perfectly sensible way--that he had known all along it was only a
game they were playing,--a game in which there were no stakes. That was
a lie. He had put his whole soul into the game, playing as he knew for
his life's happiness; and the verses, had they been worthy of the love
which caused them to be written, would have been among the great songs
of the world. But while the man knew at last that he had been a fool,
he was swayed by a man-like reluctance against admitting it. So he
laughed--and lied--and broke away, hurt, but still laughing."
"You hadn't mentioned any verses before," said Rosalind.
"I told you he was a fool," said I. "And, after all, that is the entire
story."
Then I spent several minutes in wondering what would happen next.
During this time I lost none of my interest in the sky. I believed
everything I had said: my emotions would have done credit to a Romeo or
an Amadis.
"The first time that the girl was not at home," Rosalind observed,
impersonally, "the man had on a tan coat and a brown derby. He put on
his gloves as he walked down the street. His shoulders were the most
indignant--and hurt things she had ever seen. Then the girl wrote to
him,--a strangely sincere letter,--and tore it up."
"Historical research," I murmured, "surely affords no warrant for such
attire among the rural denizens of tranquil Arden."
"You see," continued Rosalind, oblivious to interruption, "I know all
about the girl,--which is more than you do."
"That," I conceded, "is disastrously probable."
Public-domain text, read in full here on John Shaqi.
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