The Cords of Vanity: A Comedy of ShirkingCabell, James Branch
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The Cords of Vanity: A Comedy of Shirking
Cabell, James Branch
Authors -- Fiction; Marriage -- Fiction; United States -- Social life and customs -- Fiction
"When she realised that she was to see the man again--_Did_ you ever
feel as if something had lifted you suddenly hundreds of feet above
rainy days and cold mutton for luncheon, and the possibility of other
girls' wearing black evening dresses, when you wanted yours to be the
only one in the room? Well, that is the way she felt at first, when she
read his note. At first, she realised nothing beyond the fact that he
was nearing her, and that she would presently see him. She didn't even
plan what she would wear, or what she would say to him. In an
indefinite way, she was happier than she had ever been before--or has
been since--until the doubts and fears and knowledge that give children
and fools a wide berth came to her,--and _then_ she saw it all against
her will, and thought it all out, and came to a conclusion."
I sat up. There was really nothing of interest occurring overhead.
"They had played at loving--lightly, it is true, but they had gone so
far in their letter writing that they could not go backward,--only
forward, or not at all. She had known all along that the man was but
half in earnest--believe me, a girl always knows that, even though she
may not admit it to herself,--and she had known that a love affair
meant to him material for a sonnet or so, and a well-turned letter or
two, and nothing more. For he was the kind of man that never quite
grows up. He was coming to her, pleased, interested, and a little
eager--in love with the idea of loving her,--willing to meet her
half-way, and very willing to follow her the rest of the way--if she
could draw him. And what was she to do? Could she accept his gracefully
insulting semblance of a love she knew he did not feel? Could they see
each other a dozen times, swearing not to mention the possibility of
loving,--so that she might have a chance to reimpress him with her
blondined hair--it _is_ touched up, you know--and small talk? And--and
_besides_--"
"It is the duty of every young woman to consider what she owes to her
family," said I, absentmindedly. Rosalind Jemmett's family consists of
three aunts, and the chief of these is Aunt Marcia, who lives in
Lichfield. Aunt Marcia is a portly, acidulous and discomposing person,
with eyes like shoe-buttons and a Savonarolan nose. She is also a
well-advertised philanthropist, speaks neatly from the platform, and
has wide experience as a patroness, and extreme views as to
ineligibles.
Rosalind flushed somewhat. "And so," said she, "the girl exercised her
common-sense, and was nervous, and said foolish things about new plays,
and the probability of rain--to keep from saying still more foolish
things about herself; and refused to talk personalities; and let him
go, with the knowledge that he would not come back. Then she went to
her room, and had a good cry. Now," she added, after a pause, "you
understand."
"I do not," I said, very firmly, "understand a lot of things."
"Yet a woman would," she murmured.
Public-domain text, read in full here on John Shaqi.
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