The Cords of Vanity: A Comedy of ShirkingCabell, James Branch
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The Cords of Vanity: A Comedy of Shirking
Cabell, James Branch
Authors -- Fiction; Marriage -- Fiction; United States -- Social life and customs -- Fiction
"So you don't like my stage-name?" she asked, as I sat down beside
her. "Well, for that matter, no more do I." "It doesn't suit you," I
protested--"not in the least. Whereas, you might be a Signorina
Somebody-or-other, you know. You are dark and stately and--well, I
can't tell you all the things you are," I complained, "because the
English language is so abominably limited. But, upon the whole, I am
willing to take the word of the playbill,--yes, I am quite willing to
accept you as Signorina Capulet. She had a habit of sitting in gardens
at night, I remember. Yes," I decided, after reflection, "I really
think it highly probable that you are old Capulet's daughter. I shall
make a point of it to pick a quarrel as soon as possible, with that
impertinent, trespassing young Montague. He really doesn't deserve
you, you know."
Unaccountably, her face saddened. Then, "Signorina? Signorina?" she
appraised the title. "It _is_ rather a pretty name. And the other is
horrible. Yes, you may call me Signorina, if you like."
3
She would not tell me her real name. She was unmarried,--this much she
told me, but of her past life, her profession, or of her future she
never spoke. "I don't want to talk about it," she said, candidly. "We
play for a week in Fairhaven, and here, once off the stage, I intend
to forget I am an actress. When I am on the stage," she added, in
meditative wise, "of course everyone knows I am not."
I laughed. I found her very satisfying; she was not particularly
intelligent, perhaps, but then I was beginning to consider clever
women rather objectionable creatures. There was a sufficiency of them
among the Charteris house-party--Alicia Wade, for instance, and
Pauline Ashmeade and Cynthia Chaytor,--and I thought of them almost
resentfully. The world had accorded them not exactly what they most
wanted, perhaps, but, at least, they had its luxuries; and they said
sharp, cynical things about the world in return. In a woman's mouth
epigrams were as much out-of-place as a meerschaum pipe.
Here, on the contrary, was a woman whom the world had accorded nothing
save hard knocks, and she regarded it, upon the whole, as an eminently
pleasant place to live in. She accepted its rebuffs with a certain
large calm, as being all in the day's work. There was, no doubt, some
good and sufficient reason for these inconveniences; not for a moment,
however, did she puzzle her handsome head in speculating over this
reason. She was probably too lazy. And the few favours the world
accorded her she took thankfully.
"You see," she explained to me--this was on Thursday night, when I
found her contentedly eating cheap candy out of a paper bag,--"the
world is really very like a large chocolate drop; it's rather bitter
on the outside, but when you have bitten through, you find the heart
of it sweet. Oh, how greedy!--you've taken the last candied cherry,
and I am specially fond of candied cherries!" And indeed, she looked
frankly regretful as I munched it.
Public-domain text, read in full here on John Shaqi.
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