The Corner of Harley Street: Being Some Familiar Correspondence of Peter Harding, M.D.Bashford, H. H. (Henry Howarth), Sir
General
The Corner of Harley Street: Being Some Familiar Correspondence of Peter Harding, M.D.
Bashford, H. H. (Henry Howarth), Sir
England -- Social life and customs -- Fiction; Epistolary fiction; Physicians -- Fiction
Poor Wensley, he is still chipping away at his unprofitable marble,
spending two years over a group that his conscience forbids him to
finish in as many months. Every year there are rumours that the Chantrey
trustees are to buy something from his studio. And every year they just
fail to do so for varying reasons. Poor Wensley, if ever a genius cut
life out of marble (and will never, I'm afraid, cut marble out of life)
it is he, hammering his years away in the purlieus of Chelsea. I have
seen a good deal of him lately, and once I am fairly inside his studio
find it very hard to escape those siren hands of his white-limbed men
and maidens under a good two hours. His group for this year's Academy,
if he has been able to finish it, will be as good as, if not better
than, anything that he has yet done, I think. May the gods be kind to
him, for he needs their pity in more ways than one. He is too good to be
allowed to fritter his life away in illustrating nursery books and
repairing mediocre saints; and there are times when one cannot help
feeling that his long knocking at the gates of official appreciation is
making him just a little bitter--brief times, for the next moment his
eye will be bright again and his smile so boyish as to make his fifty
years of struggle seem almost mythical.
Leaving him there, with his beautiful, unwanted works about him, I
always encounter a certain wave of spiritual depression. For, look where
one will, one's eyes would seem to be confronted only with the
grotesque, the degenerate, the pernicious; so much so that it becomes
hard to realise them merely as the little unworthy successes of a very
passing hour. Our newest music would appear fain to wed itself to the
obscene imaginings of a decadent poesy, to find its loftiest inspiration
in pathological versions of Elektra and Salome. Our latest dances seek
to lift into the very publicity that he lives for the erotic beastliness
of some such vicious weakling as a Parisian apache. Our most up-to-date
novels probe the labyrinths of sexual perversity at a shilling a time
under the banner of an emancipated virility, and our Sunday newspapers
reap the dung-hills for their headlines.
Public-domain text, read in full here on John Shaqi.
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