Lovely are the swayed bodies of dryad and Venus trees in silvery April, before they have hung their leafy mantillas and aprons about them, as if shrinking from gaze. But beautiful as September sunshine is the lichen upon them too, itself a veil; so goodly to look at that county men quarrel across their small frontiers about it—I remember Sir William Harcourt saying at Malwood that whenever Mr. Gladstone and he met in the country they contended whether Hawarden or Malwood trees were lichened the better. Yet I think it is upon stone walls and roofs, in Dorset, say, that the fungi-algae look best of all. Pickthanks and esurient flatterers of trees they may be, perhaps, but like Danaë gold and silver they descend upon masonry, giving, not taking, and finely wrought as coins that were minted at Syracuse. With nothing of Sir Gorgius Midas in their profusion, they do not pretend to be county people, exclusive, and as soon will gild a hamlet gable as a mansion coat-of-arms. Like sunshine spattered through meshes of leaves they descend upon their billets, but to last there after sunset, and to endure through winter, like our men entrenched in Flanders. The lodging they prefer is stone, I say—a brown stone that empurples; they seldom select the wattle-and-daub of a washed, half-timbered wall. Few dwellings of that architecture linger on in stone counties now, however—I mean the prototypal make, the human nest built of mud; masonry has almost everywhere ousted the caked stuff which Shakespeare so often saw ‘stop a hole, to keep the wind away.’ In Warwickshire, Wilts, and other river-bed counties a rambler still happens upon this primal type of cottage sometimes; as he does at Clifden Hampden, in the aged building called the ‘Barley Mow’ near Wallingford Bridge. He recognises the ancient cot, cote, hutch, hut, or whatever its earliest English name was, by the inwardly-slanting timbers of its ends, cloven tree-trunks, which lean up into the gables from the floor corners, in couples that meet as if to embrace, beneath the watershed of the roof. Two pairs of such tree-trunks, starting from right distances at the base, and tied together at the top by a ridge-tree, formed the skeleton of the prototypal house; perhaps in the earliest huts the four supports were living saplings, still growing in pairs at convenient spots, for these could be yoked into service—bent while still green, to be then beheaded; maybe our word ‘roof-tree’ began in that. We think of the famous half-timbered house at Stratford-on-Avon as ‘Elizabethan,’ but Beowulf may have had some such a habitation as that: this primal type must be inconceivably aged; ‘Old shepherd in your wattle cote, I think a thousand years are done Since first you took your pipe of oat.’