The Cornhill Magazine (vol. XLI, no. 244 new series, October 1916)Various
General
The Cornhill Magazine (vol. XLI, no. 244 new series, October 1916)
Various
England -- Periodicals; English literature -- Periodicals; Short stories, English -- Periodicals
I have spoken of Davies’ strong sense of civic duty. To compare him
again with Hughes, there was as great devotion to duty in the latter,
but with a somewhat different colouring. In Hughes’ case the sense of
duty was not so sharply defined, or clearly thought out, nor so much a
matter of reason. With him it was rather a feeling, an instinct, part
of his nature, such a sense of duty as comes into being at a great
public school, in the form of _esprit de corps_, loyalty to a community
of comrades and friends. All these men had this sense of obligation in
different shades and forms; all heard the call of duty, each in his
own way—the clergyman, the scholar, the public official, the merchant,
the lawyer, the artist—and all obeyed the call by giving of their own
particular store of knowledge.
To the Greeks of old duty and goodness presented themselves in the guise
of the beautiful, and this may be one reason why so many artists of fame
gave their help to the College. In the list of art teachers of the past
are the names of Ruskin, D. G. Rossetti, Ford Madox Brown, Burne Jones,
Thomas Woolner, Stacy Marks, and others. One of the longest lived and
best loved of the founders was Lowes Dickinson, who taught in the art
class for many years, and, as all who knew him will testify, never lost
sight of the connection between goodness and beauty. But it was not to be
expected that the students, or would-be students, would be all of this
type, until they had been duly inoculated. For instance, in the account
of art teaching at the College in early days, which is given in the
Jubilee volume, there is a story of a man coming to Ruskin’s class with a
request to be taught how to draw a cart-wheel. He explained that he was a
wheelwright, and that it would pay him in his business if he could draw
a wheel as it looked lying on the ground. He wanted no art or anything
of the kind, but simply to learn how to draw a wheel. This limited
aspiration was not at all to Ruskin’s mind, and the wheelwright appears
to have gone away sorrowing. The man came, quite naturally and laudably,
in order to obtain some technical instruction, which would bring him in
more money. No set of men were ever more anxious than the Founders of
the College that their poorer brethren should rise and prosper, hence
their staunch support of the Co-operative Movement. But they did not
found it to give technical instruction; they founded it to teach the
‘humanities’ in the widest sense (including boxing), to give to poor men
more human lives, to widen and multiply their interests, to open their
understanding, to make them better citizens. They were democrats, but
not democrats of the utilitarian type. They taught duty, the faith that
was in them, more than rights or claims. They never taught the working
man to try everything by the test question, What am I going to get by
it in pounds, shillings, and pence? nor did they for one moment appeal
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account