The Cornhill Magazine (vol. XLII, no. 247 new series, January 1917) — John Shaqi
The Cornhill Magazine (vol. XLII, no. 247 new series, January 1917)Various
History
The Cornhill Magazine (vol. XLII, no. 247 new series, January 1917)
Various
England -- Periodicals; English literature -- Periodicals; Short stories, English -- Periodicals
Soon after passing Claye we left the high road, and turned north into a
labyrinth of byways. The weather was superb; it was one of those blue
days of late September, which are apt to collect to themselves all the
best beauty of the year in France. From dawn to sunset not a cloud rose
in the sky; there reigned a soft continual radiance in which the colour
of every object took peculiar intensity. The first hamlet we reached,
Charny, brought us to the only disappointment of our day; for we failed,
after much inquiry, to find the place of death, or even of burial, of
the poet Charles Péguy, who has been the intellectual mascot of this war
to France. His gallant death opened the battle of the Marne. Under the
shelter of a slope, he and his men fought until they were driven into the
open. The officer who led them, and his lieutenant, were soon killed;
Péguy then had no sooner taken the command than a ball struck him full in
the forehead. His death marked the moment of transition between France
in danger and France redeemed. We endeavoured to follow his track, and
we drove through Villeroy, where there is little or nothing left to see.
The rustic calm of these grey hamlets is unbroken, and at first all that
tells us of the tragedy is the appearance from this point onwards of the
flags which mark where the French soldiers lie.
The dominant feature of these rural battlefields, as we saw them in
the full upland sunshine on that long splendid September day, was the
scattered profusion of little tricolor flags. A long blue horizon, broken
by golden haystacks against the sky, gave a general tone of greyness
to the earth, which, green with oats, livid with beetroot, brown with
parched lucerne, rolled beneath that vast expanse. In the midst of this
harmony of tender hues there stood out sharply the hard red, white, and
blue of the little flags, planted now solitary and now in clusters,
without arrangement or system—the bright flags flapping and fluttering in
the wind as far as the eye could reach, like charming indigenous flowers,
like brilliant ixias on some pale South African veldt; and each marking
the spot where a hero fell. At first, a stick with a képi on the top of
it, or even a cravat or a medal, had to serve for a provisional mark,
but now the little splendid flag seems to be a permanent memorial. It
leaps from a corner of the beetroot field, from a slope of the harvest,
from the turn of an apple-orchard, from the edge of the road, and in its
singleness and in its multitude alike, it marks this district of the Brie
a holy land for ever.
Public-domain text, read in full here on John Shaqi.
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