The Cornhill Magazine (vol. XLII, no. 247 new series, January 1917)Various
History
The Cornhill Magazine (vol. XLII, no. 247 new series, January 1917)
Various
England -- Periodicals; English literature -- Periodicals; Short stories, English -- Periodicals
its noble church, all bathed in the liquid gold of September, it seemed
lovelier than ever before. The only sign of disturbance is the modern
bridge, which the English blew up for strategical purposes, without
hurting the old town in any respect.
In leaving Meaux to return to the battlefields we took a northward road
almost parallel with that by which we had entered, but somewhat to
the east of it, thus crossing the battlefields at a point a couple of
miles farther on in the German retreat. There is little to see close to
Meaux, but presently the graves begin, many of them gay with dahlias and
chrysanthemums. We descended to the village of Varreddes, which takes a
prominent place in the chronicle of the fighting. The struggle here was
very heavy. Varreddes is a rather large village, built a little distance
to the south of the canal of the Ourcq, which makes at this place a
great bend, surrounding the village on three sides, while the Marne
nearly isolates it on the fourth. Hence it was held by the enemy with
determination as long as possible. At Varreddes the Germans did dreadful
things. They ordered the population of the village to leave it at once,
and a group of seventeen very old men, who were too infirm to move
quickly, they set up against a wall and shot in cold blood. The priest, a
venerable man of seventy-six years, they seized as a hostage, and killed
in their retreat.
Many bright new roofs and walls testify in the village of Varreddes to
the enterprise of the inhabitants, who have ventured to rebuild their
ruined houses. The church, which has some good thirteenth-century
features, seems to be intact. And yet it is precisely at Varreddes
that the scheme of the battle, as it swept from west to east, is most
intelligible to a civilian. The intensity of the fighting is proved by
the profusion of graves, whose flags glitter and shimmer, with their
petals of red, white, and blue, in every direction. Farther on, above
Etrépilly, a large turfed reservoir, perched on a hillock, forms a
landmark, from which the eye explores in every direction the rolling
country, intersected by scarcely visible glens or trenches, through
which the rivers wind. On the summit of this commanding height we found
a curious monument, which called for an explanation which no one seemed
competent to give. It consists of a metal shield of brilliant vermilion
and azure, surmounted by seven flags—one of them the American flag—and
addressed in large letters, ‘Les Prisonniers de Guerre aux Héros de la
Marne.’ What prisoners these were we asked one another in vain. But it
made our hearts, with a touch of added mystery, thrill in fresh response
to those myriads of memorial flowers that twinkled and sparkled on the
circle of brown fields around us. There is one object of horror that
attracts attention here. It was a great barn or hangar, in which the
bodies of the fallen Germans were heaped up after the battle, and then
burned by their comrades.
Public-domain text, read in full here on John Shaqi.
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