The Cornhill Magazine (vol. XLII, no. 247 new series, January 1917)Various
History
The Cornhill Magazine (vol. XLII, no. 247 new series, January 1917)
Various
England -- Periodicals; English literature -- Periodicals; Short stories, English -- Periodicals
The girl flushed with pleasure. ‘I thought you’d forgotten.’
‘And _I_ thought Miss Videlle had persuaded you to give up everything for
this massage you’re so keen about.’
Their talk took a more personal tone, and Lady Forsyth’s attention
strayed again towards the other boat. It had drifted a little farther
off, and a change of seats was in progress between Mark and Miss Videlle.
One moment his tall figure loomed against the dying splendour; the
next, he sank cautiously down beside Miss Alison, who vouchsafed him a
side-long glance of welcome.
‘We’re moving on a bit, Mother,’ he sang out, seeing her face turned in
their direction.
They moved on accordingly: and it did not occur to Lady Forsyth that
Miss O’Neill, sitting alone in the bows, obscured from vision of
the disturbing pair, was in much the same mood as herself. Lonely,
passionate, and emotional, her thwarted womanhood had found in Bel Alison
an object on which she could lavish at once the protective tenderness of
a mother and the devoted service of a man. Unhappily, this last included
a consuming jealousy of those who had a better natural right to the girl
than herself. Diligently and skilfully, therefore, she had scattered
seeds of prejudice against the unjust half of creation—which, by the way,
she very much appreciated in units, while denouncing it in the mass. By
way of a more positive deterrent, her slender means were taxed to the
utmost that Bel might have cushions and flowers and curtains to suit
her fastidious taste. No one, least of all Miss Alison, suspected the
extent of her secret shifts and sacrifices. And, intermittently, she had
her reward. But no skill in self-deception could blind her to the fact
that her lavish devotion was as dust in the balance against the passing
attentions of a baronet, lord of two estates, and a fine-looking fellow
to boot. To-night the conviction rankled with peculiar keenness by reason
of her suppressed irritation with Macnair.
‘Shirking the issue. Just like a man!’ she soliloquised wrathfully. ‘And
dragging in his own trumpery translations by the heels. The conceit
of the creatures! And the folly of them. Wasting good abilities over
the vapourings of a musty old Greek poet. Blind as a bat, or simply
not caring a snap that the world’s crammed with evils crying out to be
reformed. Let them cry, so long as _he_ can scribble in peace....’
At this point her somewhat chaotic thoughts were interrupted by music
from the other end of the boat. Mark was singing Wallace’s lullaby, ‘Son
of Mine’; half crooning it, at first, for the benefit of Miss Alison, who
did not know it. But as the strong swing of the melody took hold of him,
he let out his voice to the full—a true, clear baritone; music in its
every cadence; and something more than music, for those who had ears to
hear.
Public-domain text, read in full here on John Shaqi.
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