The Cornhill Magazine (vol. XLII, no. 250 new series, April 1917) — John Shaqi
The Cornhill Magazine (vol. XLII, no. 250 new series, April 1917)Various
History
The Cornhill Magazine (vol. XLII, no. 250 new series, April 1917)
Various
England -- Periodicals; English literature -- Periodicals; Short stories, English -- Periodicals
Jimmy was clever and it was by his mother’s wish he went into the Glasgow
merchant’s office, but when he first came home for the Fair holidays,
Moir owned that his wife was right. Jimmy looked well and more of a
man, and his employer sent a good account of him. On subsequent visits
Moir was less satisfied. The lad’s showy clothes offended his sober
taste and he did not like his city smartness. These, however, were not
serious matters, and Janet showed no alarm. Moir thought he could trust
her judgment, but had reflected since that her mother’s partiality had
blinded her. Then one Fair holiday Jimmy did not come home, and before
the next arrived Moir was summoned to Glasgow by the boy’s employer.
He remembered the curious glances cast at him as he walked through the
dingy office to the merchant’s private room, from which he came out
hiding a crushing load of shame behind a stern, set face. Half an hour
later he returned with a bundle of British Linen notes and a letter of
three bitter lines to be sent to the boy’s lodgings. Janet acquiesced in
his decision and never spoke of her son, but the lines on her face had
deepened.
By and by Euphie came in and Moir went to the stable, where he found some
harness that needed repair. He set about it and, as he was thorough in
all he did, an hour passed before he was satisfied. When he came out it
was raining hard, and on going back to the kitchen he found the baking
finished and supper ready for the patrol. They are hospitable folk
among the western fells and Lieutenant Jardine was a nephew of Moir’s
landlord’s. The farmer sat down and watched Euphie knit. She was tall
and had an attractive face, with firmly-lined features and steady grey
eyes. As a rule, she was quiet, but her character was decided, and Moir
sometimes wondered what had drawn her to his weak son.
Nobody spoke. A cold wind wailed about the house and the drips from
a flooded roaning beneath the flagstone eaves splashed against a
window-pane. After a time Janet moved abruptly as the door rattled and
began to open. It had an awkward old-fashioned latch that few strangers
were able to lift. The door, however, had opened and an indistinct figure
stood, hesitating, in the porch. Janet got up and beckoned, but Moir sat
still with his mouth set.
A young man came in, the water running from his light overcoat, and mud
splashed about his leggings. He was breathless, but his face was rather
pale than hot, and as he approached the lamp Moir saw there was blood
upon his sleeve. The lad said nothing, but Janet went to meet him and put
her arms round his neck. She felt him wince at her embrace, and, drawing
back, saw, for the first time, his torn and reddened sleeve. Then with a
low, pitiful cry she led him forward to the fire.
‘Come away while I see til yere arm. How got ye hurt?’
Public-domain text, read in full here on John Shaqi.
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