The corsair; or, the little fairy at the bottom of the sea : $b A new Christmas burlesque and pantomime, founded upon the ballet of "Le corsair"Brough, William
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The corsair; or, the little fairy at the bottom of the sea : $b A new Christmas burlesque and pantomime, founded upon the ballet of "Le corsair"
Brough, William
Burlesques; English drama -- 19th century; Pantomime (Christmas entertainment)
_CONRAD’S vessel discovered, surrounded by the raging waters._
_CONRAD,
MEDORA and SAILOR, discovered on the deck._
_Conrad._ Courage, Medora, all will yet be well;
I s’pose you ne’er saw such a heavy swell?
Cheer up! you’re pale--you must be ill, I’m thinking?
_Medora._ No, no! I only feel a little sinking.
[_Noise of ship striking._
Hark! the ship’s striking--we are lost!
_Conrad._ Pooh! pooh!
Who cares, if the effect is striking too,
If with the public we go down to-night!
_Medora._ She sinks! we’re _going down_!
_Conrad._ We are? All right!
[_Ship sinks. Scene closes._
SCENE IV.--_The Pirate’s Home._--_A large arch in C., with curtains
closed. Music._
_Enter BIRBANTO and YUSSUF, stealthily, L._
_Yussuf._ [L.] Say, stranger.
_Birb._ [R.] Hush! don’t speak,--don’t breathe--don’t wink!
_Yussuf._ All slick, old coon, we see’d the critter sink
In last night’s storm.
_Birb._ He’s saved tho’, I’ll be bound;
Men born for his fate, never can be drowned.
_Yussuf._ How was it we escaped?
_Birb._ Because, you see,
We were not born for drowning more than he.
But come, to business! where’s the cash? fork out!
_Yussuf._ I’d rather have the gal back, first.
_Birb._ No doubt.
_Yussuf._ I’ll liquidate, safe as the bank.
_Birb._ Just so;
But then banks are not always safe, you know.
No trust.
_Yussuf._ [_Gives money._] Well, there. Now, how d’ye mean to fix him?
_Birb._ A sleeping draught I’ll go at once and mix him,
So strong, that if his food in it you steep,
You’d even catch a weasel fast asleep.
_Yussuf._ I see. So then, when he this potion drinking,
Goes off like nodding, we go off like winking,
And take the gal.
_Birb._ [_Aside._] A rash step, p’raps, I’ve taken;
I’d take a rasher, could I save my bacon,
And settle him at once, clean out of hand,
But that I fear the vengeance of the band.
No matter, time will come. Hah! hah!
_Yussuf._ I say.
_Birb._ I beg your pardon. Come--away! away!
[_Exit melo-dramatically, followed by YUSSUF, R._
_Music._--_The curtains in the arch, C., are raised, and discover
CONRAD reclining on a couch of tiger skins, smoking a chibouque,
MEDORA seated at his feet._
_Conrad._ And so your uncle sold you into slavery?
The monster!
Public-domain text, read in full here on John Shaqi.
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