The corsair; or, the little fairy at the bottom of the sea : $b A new Christmas burlesque and pantomime, founded upon the ballet of "Le corsair"Brough, William
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The corsair; or, the little fairy at the bottom of the sea : $b A new Christmas burlesque and pantomime, founded upon the ballet of "Le corsair"
Brough, William
Burlesques; English drama -- 19th century; Pantomime (Christmas entertainment)
_Medora._ [_Modestly._] Spare my blushes.
_Pasha._ What, you consent?
_Medora._ Oh, sir!
_Pasha._ You do! you love me?
_Medora._ Can I believe that one so high above me
Can honor thus his slave?
_Pasha._ Oh, joy! ’tis true!
Shout dogs!
_Syng._ Shout dogs! [_All shout._
_Pasha._ Peace, slave! who spoke to you?
For my sake you give up the Corsair?
_Medora._ Clearly.
It can’t be helped--I’m sorry for him, really,
His fate is harsh, but even were it harsher,
Who would compare a pirate with a Pasha?
I like a wealthy husband--he, poor chap,
Comes with a ring, but comes without a rap.
_Pasha._ Huzza! Shout, dogs! [_All shout._
_Enter GULNARE, ZULIEMA, and LADIES, R._
_Gul._ What means this dreadful clatter?
_Pasha._ [_Aside._] Gulnare, the deuce! There’ll be a scene--no matter.
[_Aloud._] Release the Corsair!
_SYNG SMAUL opens door, R. 2 E.; CONRAD appears._
Quick--his chains unbind!
Conrad, you’re free!
_Conrad._ You’re really very kind.
_Pasha._ There, there, be off--for thanks you needn’t tarry.
_Conrad._ But that young person I’m about to marry--
She goes with me, of course!
_Medora._ Nay, Conrad!
_Conrad._ What?
You, too, desert me!
_Gul._ [_Aside to him._] Recollect my plot.
_Medora._ Hear me!
_Conrad._ Away! you’re false--you can’t deny it!
_Medora._ [_Aside to him._] I’m but pretending.
_Conrad._ [_Aside to her._] So am I--be quiet!
Oh, misery! worse than prison, bonds and fetters!
_Pasha._ Enough, young man--she is to wed your betters.
Ladies, behold your future queen!
_Zuli._ What, she?
What’s to become of me?
_Gul._ And me?
_Conrad._ And me?
_Pasha._ Can’t say, I’m sure.
_Zuli._ This fills with grief my cup;
Support me! Oh, woe--woe! [_Faints and is borne off, R._
_Conrad._ Gee wo--pull up!
False maid! [_Aside to her._] All right. [_Aloud._] Can
you desert me thus?
_Pasha._ Of course the girl can’t marry both of us!
_Medora._ And since my love cannot divided be,
You, Conrad, must give up your _chere amie_ (share o’me.)
Public-domain text, read in full here on John Shaqi.
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