Brothers -- Fiction; Corsica (France) -- Fiction; French fiction -- Translations into English; Twins -- Fiction; Vendetta -- Fiction
"Look here," he said, passing into an inner room, "here you are in
three centuries at once--see! I will dress while you amuse yourself,
for I must make haste or supper will be announced."
"Which are the historic arms of which you spoke amongst all these
swords, arquebuses, and poignards?" I asked.
"There are three. Let us take them in order. If you look by the head
of my bed you will find a poignard with a very large hilt--the pommel
forms a seal."
"Yes, I have it."
"That is the dagger of Sampietro."
"The famous Sampietro, the assassin of Vanina?"
"The assassin! No, the avenger."
"It is the same thing, I fancy."
"To the rest of the world, perhaps--not in Corsica."
"And is the dagger authentic?"
"Look for yourself. It carries the arms of Sampietro--only the
fleur-de-lis of France is missing. You know that Sampietro was not
authorized to wear the lily until after the siege of Perpignan."
"No, I was not aware of that fact. And how did you become possessed of
this poignard?"
"Oh! it has been in our family for three hundred years. It was given
to a Napoleon de Franchi by Sampietro himself."
"Do you remember on what occasion?"
"Yes. Sampietro and my ancestor fell into an ambuscade of Genoese, and
defended themselves like lions. Sampietro's helmet was knocked off,
and a Genoese on horseback was about to kill Sampietro with his mace
when my ancestor plunged his dagger into a joint in his enemy's
armour. The rider feeling himself wounded spurred his horse, carrying
away in his flight the dagger so firmly embedded in his armour that he
was unable to withdraw it, and as my ancestor very much regretted the
loss of his favourite weapon Sampietro gave him his own. Napoleon took
great care of it, for it is of Spanish workmanship, as you see, and
will penetrate two five-franc pieces one on top of another."
"May I make the attempt?"
"Certainly."
Placing the coins upon the floor, I struck a sharp blow with the
dagger. Lucien had not deceived me.
When I withdrew the poignard I found both pieces pierced through and
through, fixed upon the point of the dagger.
"This is indeed the dagger of Sampietro," I said. "But what astonishes
me is that being possessed of such a weapon he should have employed
the cord to kill his wife."
"He did not possess it at that time," replied Lucien; "he had given it
to my ancestor."
"Ah! true!"
"Sampietro was more than sixty years old when he hastened from
Constantinople to Aix to teach that lesson to the world, viz., that
women should not meddle in state affairs."
I bowed in assent, and replaced the poignard.
"Now," said I to Lucien, who all this time had been dressing, "let us
pass on from Sampietro to some one else."
"You see those two portraits close together?"
"Yes, Paoli and Napoleon."
"Well, near the portrait of Paoli is a sword."
"Precisely so."
"That is his sword."
"Paoli's sword? And is it as authentic as the poignard of Sampietro?"
Public-domain text, read in full here on John Shaqi.
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