England -- Social life and customs -- 20th century -- Fiction; Families -- Fiction; Mother and child -- Fiction; Political fiction
There were many people--witness Sir Wilfrid Bury's remark to her
mother--who had already felt this magic in her. Without any conscious
effort of her own she had found herself possessed, in the course of three
seasons since her coming out, of a remarkable place in her own circle and
set. She was surrounded by a court of young people, men and women; she
received without effort all the most coveted invitations; she was watched,
copied, talked about; and rumor declared that she had already refused--or
made her mother refuse for her--one or more of the men whom all other
mothers desired to capture. This quasi-celebrity had been achieved no one
quite knew how, least of all Marcia herself. It had not, apparently, turned
her head, though those who knew her best were aware of a vein of natural
arrogance in her character. But in manner she remained _nonchalant_
and dreamy as before, with just those occasional leaps to the surface of
passionate, or scornful, or chivalrous feeling which made her interesting.
Her devotion to her mother was plain. She espoused all her mother's
opinions with vehemence, and would defend her actions, in the family or out
of it, through thick and thin. But there were those who wondered how long
the subservience would last, supposing the girl's marriage were delayed.
As to the gossip repeated by Sir Wilfrid Bury, it referred to the latest of
Marcia's adventures. Her thoughts played with the matter, especially with
certain incidents of the Shrewsbury House ball, as she walked slowly into
the drawing-room in her mother's wake.
The drawing-room seemed to her dark and airless. Taste was not the Coryston
strong point, and this high, oblong room was covered with large Italian
pictures, some good, some indifferent, heavily framed, and hung on
wine-colored damask. A feebly false Guido Reni, "The Sacrifice of Isaac,"
held the center of one wall, making vehement claim to be just as well worth
looking at as the famous Titian opposite. The Guido had hung there since
1820, and what was good enough for the Corystons of that date was good
enough for their descendants, who were not going to admit that their
ancestors were now discredited--laughed out of court--as collectors, owing
to the labors of a few middle-aged intellectuals. The floor was held by a
number of gilt chairs and sofas covered also in wine-colored damask, or
by tables holding _objets d'art_ of the same mixed quality as the
pictures. Even the flowers, the stands of splendid azaleas and early roses
with which the room was lavishly adorned, hardly produced an impression
of beauty. Marcia, looking slowly round her with critical eyes, thought
suddenly of a bare room she knew in a Roman palace, some faded hangings in
dull gold upon the walls, spaces of light and shadow on the empty matted
floor, and a great branch of Judas tree in blossom lighting up a corner.
The memory provoked in her a thrill of sensuous pleasure.
Public-domain text, read in full here on John Shaqi.
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