Produced by Greg Weeks, Stephen Blundell and the Online Distributed Proofreading Team at https://www.pgdp.net Transcriber's Note: This etext was produced from _Amazing Stories_ December 1961 and was first published in _Amazing Stories_ November 1930. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed. Minor spelling and typographical errors have been corrected without note. A Classic Reprint from AMAZING STORIES, November, 1930 _Copyright 1931, by Experimenter Publications Inc._ _The Cosmic Express_ By JACK WILLIAMSON Introduction by Sam Moskowitz _The year 1928 was a great year of discovery for_ AMAZING STORIES. _They were uncovering new talent at such a great rate, (Harl Vincent, David H. Keller, E. E. Smith, Philip Francis Nowlan, Fletcher Pratt and Miles J. Breuer), that Jack Williamson barely managed to become one of a distinguished group of discoveries by stealing the cover of the December issue for his first story_ The Metal Man. _A disciple of A. Merritt, he attempted to imitate in style, mood and subject the magic of that late lamented master of fantasy. The imitation found great favor from the readership and almost instantly Jack Williamson became an important name on the contents page of_ AMAZING STORIES. _He followed his initial success with two short novels_, The Green Girl _in_ AMAZING STORIES _and_ The Alien Intelligence _in_ SCIENCE WONDER STORIES, _another Gernsback publication. Both of these stories were close copies of A. Merritt, whose style and method Jack Williamson parlayed into popularity for eight years._ _Yet the strange thing about it was that Jack Williamson was one of the most versatile science fiction authors ever to sit down at the typewriter. When the vogue for science-fantasy altered to super science, he created the memorable super lock-picker Giles Habilula as the major attraction in a rousing trio of space operas_, The Legion of Space, The Cometeers _and_ One Against the Legion. _When grim realism was the order of the day, he produced_ Crucible of Power _and when they wanted extrapolated theory in present tense, he assumed the disguise of Will Stewart and popularized the concept of contra terrene matter in science fiction with_ Seetee Ship _and_ Seetee Shock. _Finally, when only psychological studies of the future would do, he produced_ "With Folded Hands ..." "... And Searching Mind."