The omnibus was caught in a jam of cars and carriages; there were
several moments of confusion and excitement. When the Fanshaw party
was finally able to descend, she saw that Jack and his companion were
gone--the danger of a scene was over for the moment. She lingered and
made the others linger, wishing to give him time to get to his seats.
When they entered the theater it was dark and the curtain was up. But
her eyes, searching the few boxes visible from the rear aisle, found
the woman, or, at least, enough of her for recognition--the huge black
hat with its vast pale blue feather. Pauline drew a long breath of
relief when the Fanshaws' box proved to be almost directly beneath, the
box.
If she had been a few years older, she would have given its proper
significance to the curious fact that this sudden revelation of the
truth about her husband did not start a tempest of anger or jealousy,
but set her instantly to sacrificing at the shrine of the great god
Appearances. It is notorious that of all the household gods he alone
erects his altar only upon the hearth where the ashes are cold.
As she sat there through the two acts, she seemed to be watching the
stage and taking part in the conversation of the Fanshaws and their
friends; yet afterward she could not recall a single thing that had
occurred, a single word that had been said. At the end of the last act
she again made them linger so that they were the last to emerge into
the passage. In the outside doorway, she saw the woman--just a glimpse
of a pretty, empty, laughing face with a mouth made to utter
impertinences and eyes that invited them.
Mrs. Fanshaw was speaking--"You're very tired, aren't you?"
"Very," replied Pauline, with a struggle to smile.
"What a child you look! It seems absurd that you are a married woman.
Why, you haven't your full growth yet." And on an impulse of intuitive
sympathy Mrs. Fanshaw pressed her arm, and Pauline was suddenly filled
with gratitude, and liked her from that moment.
Alone in her sitting-room at the hotel, she went up to the mirror over
the mantel, and, staring absently at herself, put her hands up
mechanically to take out her hat-pins. "No, I'll keep my hat on," she
thought, without knowing why. And she sat, hat and wrap on, and looked
at a book. Half an hour, and she took off her hat and wrap, put them
in a chair near where she was sitting. The watched hands of the clock
crawled wearily round to half-past one, to two, to half-past two, to
three--each half-hour an interminable stage. She wandered to the
window and looked down into empty Fifth Avenue. When she felt that at
least an hour had passed, she turned to look at the clock
again--twenty-five minutes to four. Her eyes were heavy.
"He is not coming," she said aloud, and, leaving the lights on in the
sitting-room, locked herself in the bedroom.
Public-domain text, read in full here on John Shaqi.
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