The Costume of China: Picturesque Representations of the Dress and Manners of the ChineseAlexander, William
History
The Costume of China: Picturesque Representations of the Dress and Manners of the Chinese
Alexander, William
China -- Social life and customs; Costume -- China
THE priests of _Fo_ in China are the same as the priests of _Boudh_ are
in India, from whence their religion passed into China in the first
century of the Christian æra. The temples and the monasteries of China
swarm with them; and they practice, ostensibly at least, all the
austerities and mortifications of the several orders of monks in Europe,
and inflict on themselves the same painful, laborious, and disgusting
punishments which the faquirs of India undergo, either for the love of
God, as they would have it supposed, or to impose on the multitude, as
is most probably the real motive. In China, however, they are generally
esteemed as men of correct morals: and there is reason to believe, that
the calumnies heaped upon them by the Catholic missionaries are for the
most part unfounded, and were occasioned by the mortification they
experienced in finding their ceremonies, their altars, their images,
their dress, to resemble so very nearly their own.
It is scarcely necessary to observe that our umbrellas are borrowed from
the Chinese. The poorest person has one of these machines to keep off
the rain; but in China they are made of paper, and the wood part is
entirely of bamboo. The hats of the common people are in fact a kind of
umbrella; they are generally made of rice straw plaited, and so large
that they equally defend the face from the rays of the sun and cover the
shoulders from the rain. That which the priest carries under his arm is
small in proportion of some of those worn by the peasantry. In moderate
weather a Chinese, though close shaved, except as to the little lock of
hair growing from the crown, generally goes bareheaded.
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[Illustration:
CHINA—PLATE 12
]
Plate XII.
A VENDER OF LANTERNS.
THERE is no nation so fond of illuminations and fire-works as the
Chinese, and no nation has exerted its skill so effectually in the
multitude of contrivances to exhibit light. Their lanterns are as
various in shape as in materials. The most common are of painted paper.
The most beautiful and ornamental of silk gauze, finely painted and
stretched on frames that are not deficient in carving and curious
workmanship, and decorated with tassels of silk of various colours.
Other lanterns are round and cylindrical, and of one single piece of
thin transparent horn, sometimes of an immense size. At certain times in
the year, but more particularly in the month of February, they celebrate
what has been called the Feast of Lanterns, when every body in the
street carries some transparency or other made in every possible form:
some of them like fishes, some like beasts of various kinds, and others
birds. Some resemble trees and shrubs, with flowers and fruits, each in
their appropriate colours. Those lanterns borne by the man in the print
are of the most ordinary kind.
Public-domain text, read in full here on John Shaqi.
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