Children -- Fiction; Cruelty -- Fiction; Dollhouses -- Fiction; Science fiction; Short stories; Stepfathers -- Fiction
"We were just pretending," Robert said.
For an instant the man and the two children stood with the doll house
between them. They were each aware that they had started a game that
must be played out now to the bitter end, no matter how frightening it
became.
"We'll soon know!" Durkin said.
Durkin bent swiftly, and without glancing at the children, picked up
the house, and raised it until the ground floor windows were on a level
with his eyes.
He stared in.
Children do not self-consciously engage in gruesome pranks--even when
they hate. Emotional impulses which later in life are filtered through
reason and become social attitudes remain in children appallingly
direct.
Children are thus exposed to adult censure for acts which they would
never dream of performing in a frame of reference removed from the
playground and tied in with their socially-consolidated attitudes of
respect toward home, school, and parents.
Children chalk up sidewalks, ring doorbells and throw stones at windows
and are almost instantly sorry. But Durkin knew nothing of that. He
only saw himself sitting on a red-hot stove, his long legs drawn up
grasshopper fashion on both sides of his lank body.
What was even more shocking, he saw himself as a fiend incarnate. The
children had done an astonishingly ingenious job of making a devil out
of him by painting him in the darkest colors imaginable.
In fact, they had painted him black. The ill-fitting store suit had
been removed, and with the aid of Emily's water-color set, and Robert's
clay modeling set he had been made to resemble a demon being roasted
over a spit.
Utterly fiendish was his charcoal-dark aspect of face and limb. Horns
sprouted from his temples, and a long, forked tail, ash-gray in hue,
coiled down over the stove like some evil brand snatched from the
burning.
There were tiny gleaming coals in the stove fashioned of red isinglass.
The stove had gone with the house, but by the matchless artistry of
childhood something new had been added, and as Durkin stared all of the
color drained from his face.
He was sitting directly over the coals, exposed to the cruelly searing
blast in every part of his anatomy. For an instant the illusion of
searing heat was so real that he responded psychosomatically. His
nostrils dilated with the odor of burning flesh, and his nerve-roots
shrieked as if irradiated by intolerable pain.
Then reality came sweeping back. Instead of an imaginary projection of
himself he saw only a ridiculous wooden doll sprawled akimbo on a toy
stove.
Shaking with rage, Durkin set the house down, swung about, and gripped
his stepson savagely by the wrist.
"Just pretending, were you?" he muttered. "Just waiting for me to come
out here, and pat you on the back."
Robert tried to break free. Sick with fear, he tugged and twisted, but
Durkin had stronger fingers than a demon, and a deeper understanding of
how a frightened boy could make a fool of a man by using his smallness
as a cloak.
Public-domain text, read in full here on John Shaqi.
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