The Cottage of Delight: A NovelHarben, Will N. (Will Nathaniel)
General
The Cottage of Delight: A Novel
Harben, Will N. (Will Nathaniel)
Fiction
"Well, it is by all odds the best all-round collection I've ever run
across," Whaley said. "Tilly plays all of 'em pretty well, and we have a
regular song-service here whenever we feel like it. Do you sing,
Mr.--Mr. Trott?"
"No, sir," John replied. "I have no turn that way."
"Well, maybe you'll get the hang of it while you are here," Whaley
smiled coldly. "I don't believe there is any way in the world that a man
can get to God quicker, straighter, or closer than in sacred song. I've
seen a congregation stand out against the finest appeal ever made from
the stand, and the minute some good singer started a rousing hymn they
were all ablaze, like soldiers following fife and drum." Herewith Whaley
went to the door and called out:
"Amelia, let the dishes rest and you and Tilly come in. We want some
music."
"Good! Good!" Cavanaugh chimed in, rubbing his hands. "We are in luck,
John. If there is anything on earth I like after a hearty meal it is
hymn-singing. It takes me back to the good old camp-meeting days when
everybody, young and old, sang, and even shouted when the spirit was on
them."
Tilly and her mother came in. The girl went to the organ on which her
father was placing the lamp, and sat on the stool. The light fell on her
face and John, sitting against the wall on her right, had a full view of
it and her graceful figure. Her father had opened the song-book and
placed it on the music-rack. Her slender fingers rested on the yellow
keys; the red welt on her hand showed plainly, and John wondered if it
pained her much. There was no way of deciding, for she showed no sign of
suffering. She began to pump the organ with her little feet. She drew
out the stops and began to play. She did it badly, but there were no
expert musical critics in the room. Whaley and his wife stood behind her
and both of them sang loudly. Cavanaugh had never heard the song, and so
he did not take active part, though John saw him beating time with his
finger and now and then contributing a suitable bass note. Cavanaugh was
delighted with the hymn.
"Why don't you join in, little girl?" he asked, gently, as he beamed on
Tilly.
"I can't sing and play at the same time," she explained, modestly,
catching John's attentive stare and avoiding it, her brown lashes
flickering.
They sang some old familiar hymns now, and all three of the singers
joined in together.
"I tell you we make a good trio," Whaley exulted. "You've got a roaring
bass, Brother Cavanaugh. We'll surprise the natives some night at
prayer-meeting. We'll set to one side like and spring it on 'em all at
once."
Public-domain text, read in full here on John Shaqi.
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