The Cottage on the FellsStacpoole, H. De Vere (Henry De Vere)
General
The Cottage on the Fells
Stacpoole, H. De Vere (Henry De Vere)
Detective and mystery stories; Fiction
A frost had set in with the evening, the road was like metal, and the
sound of the horse’s hoofs rang upon the air like the sound of a
trip-hammer on anvil.
A detour of several miles brought him to the main avenue gate of the
Hall.
A groom was waiting at the steps of the house; he took the horse, which
was lathered with foam, and the horseman, without a word, went up the
steps.
He entered a large galleried hall, hung with armour and trophies of the
chase; a great fire blazed cheerily on the immense hearth, and the soft
electric light fell upon the Siberian bear-skins, and lit with the light
of another age the quaint figures of the dark oak carvings that were
there when Charles was King.
Sir Anthony Gyde passed across the hall, opened a door, and entered the
library.
He paced up and down. To-morrow evening at this hour he was due to meet
Spain in the person of her Ambassador, and to discuss a loan that had
been entrusted to his hands.
But he was not thinking of Spain. For the moment the affairs of the
world were nothing to him.
For the moment his mind was driven into communication with his soul.
As he walked up and down, now with his hands in his pockets, now with
his arms crossed, his face wore that expression which a face wears when
its owner finds himself fronting his fate.
The most terrible experience in life is to meet the past, and to find
that it is still living.
What a helpless, vague, futile country seems the past; just a picture, a
voice, a dream. Yet what demons live there, active and in being.
Men fear the future, but it is in the past that danger lies. At any
moment one of those old vague pictures that lie beyond yesterday, may
become animated, and the woman we betrayed in the rose garden, or the
brother of the man we killed in the desert, may enter our lives through
some unseen door.
Gyde, having paced the room for some ten minutes, rang a bell by the
mantel and ordered the servant who answered it to summon Gristlethwaite,
the land-agent.
He was a short, thick-set man, Cumbrian by birth, but with little trace
of the accent.
Sir Anthony bade him be seated, ordered in cigars and whisky, and
plunged into business.
He was once more the level-headed business man, the man who could take
in the whole details of the management of a big estate in a few hours,
pick holes in it, point out errors, and show as deep a knowledge of
detail as though he lived there all the year round.
It was past dinner-time, but he apparently forgot the fact.
After several hours’ conversation and inspection of accounts, Sir
Anthony, who was standing with his back to the mantelpiece, suddenly, in
the middle of a confabulation about drainage, turned the conversation.
“By the way,” he said, “have you seen an artist fellow about here, man
in a broad-brimmed hat—”
“If he’s the man you mean,” replied the agent, “I believe it’s a man
with a German name, Klein, an artist. I let him have Skirle Cottage a
month ago.”
Public-domain text, read in full here on John Shaqi.
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