The Count of the Saxon Shore; or The Villa in Vectis.: A Tale of the Departure of the Romans from BritainChurch, Alfred John
History
The Count of the Saxon Shore; or The Villa in Vectis.: A Tale of the Departure of the Romans from Britain
Church, Alfred John
Great Britain -- History -- Roman period, 55 B.C.-449 A.D. -- Fiction; Historical fiction; Romans -- Great Britain -- Fiction
At the south end of the corridor was the Count’s own apartment, or study,
as it would be called in a modern house. One window looked into the
corridor, into which a door also opened; another, which was built out into
the shape of a bow, so as to catch as much of the sun as the aspect
allowed, looked into the garden. Part of it was formed of lattices, which
admitted of being completely closed when the weather required such
protection; the rest was glazed with glass, which would have seemed rough
to the present generation, but was quite as good as most people were
content to have in their houses fifty years ago. The pavement was
tesselated, and presented various designs, a Bacchante, and a pair of
gladiators among them. These, however, were commonly covered with thick
woollen rugs, the villa being chiefly used as a winter residence. The
Count had not forgotten his early studies, and some handsome bookcases
contained his favourite authors, among which were to be found the great
classic poets of Rome, Tacitus, for whom he had a special regard, some
writers on the military art, Cato and Columella on agriculture, and, not
least honoured, though some, at least, of their contents had but little
interest for him—for, sincere Christian as he was, he cared little for
controversy—the numerous treatises of his friend and teacher, Augustine.
Behind this room was a simple furnished bed-chamber, showing in an almost
bare simplicity the characteristic tastes of a soldier.
At the other end of the corridor was a door leading to the principal
chamber in this part of the villa. This measured altogether close upon
forty feet in length, but it was divided, or rather could be divided, into
two by columns which stood about halfway down its longer sides, and
between which a curtain could be hung. When the chamber was occupied in
summer it might be used as a whole; in the winter the smaller part, which
looked out into the garden, could be shut off from the rest by drawing the
curtain, and so made a comfortable room, warmed from below by hot air from
the furnace, which had been constructed at the western end of the northern
wing of the villa. Much artistic skill had been expended on the pavements
of the apartment, and the smaller chamber was very richly decorated in
this way. In the middle was a large head of Medusa, and the rest was
filled with beautifully-worked scenes illustrating the pleasures of a
pastoral life. It was the custom of the Count’s family to use the larger
portion of the whole chamber as a dining-room, the smaller as a ladies’
boudoir. On the rare occasion of some large entertainment being given, the
whole was thrown into one.
The ladies of the family, of whom we shall hear more hereafter, had their
own apartments at the western end of the north wing, part of which was
shut off for their occupation and for their immediate attendants. A
covered way connected this with the portion occupied by the Count.
Public-domain text, read in full here on John Shaqi.
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