Beyond the floral division of the garden was another enclosure for pear and apple trees. They stood on a green sward, soft as velvet, and of a deeper hue than Italian suns permit to the grass on which they smile. Here, too, were foreign embellishments. The monotony of the uniform rows of fruit trees was varied by pyramids of box, and the whole orchard was surrounded by a belt of plane trees. A circle of oaks had been left at the summit of one of the terraces. Thick hedges were planted between the trees, making a dense wall, in which openings were cut for the view, so that the vista was visible, like a picture set in a dark frame. This green room, roofed by the sky, was paved with a mosaic of the bright coloured chalk from the cliffs at the western end of the island, and contained an oblong basin of water shaped like a table. The water flowed through so gently that the surface always seemed at rest, and yet never grew warm. Couches were placed at this fountain table, and from time to time repasts were served here, certain viands being placed in dishes shaped like swans or boats, which floated gracefully on the watery surface. The more solid meats were placed on the broad marble edges of the basin. This sylvan retreat seemed made for a meeting of naiads and nereids. In short, the spot was so sheltered, the outlook over sea and land both near and across the strait so fair, that one could well believe even Pliny’s famed Tuscan garden, which may have suggested some features of this British one, was not more happily placed. CHAPTER V. CARNA.