The Count of the Saxon Shore; or The Villa in Vectis.: A Tale of the Departure of the Romans from BritainChurch, Alfred John
History
The Count of the Saxon Shore; or The Villa in Vectis.: A Tale of the Departure of the Romans from Britain
Church, Alfred John
Great Britain -- History -- Roman period, 55 B.C.-449 A.D. -- Fiction; Historical fiction; Romans -- Great Britain -- Fiction
The British priest’s home was at a populous village on the banks of the
Avon, now known by the name of Netton, and as this was some miles nearer
than Sorbiodunum, he determined to take thither the party whom his
opportune arrival had rescued from danger. Once arrived there, it would be
easy to send a messenger to the town, and await further instructions. A
litter was hastily constructed for Carna, who, though her spirits and
courage were still unbroken, was somewhat exhausted by excitement and
fatigue. The Saxon’s wounds were dressed and bound up by the priest, who
united some knowledge of medicine and surgery to his other
accomplishments, and was indeed scarcely less well qualified for the cure
of bodies than of souls. The priest-doctor looked somewhat grave when he
saw how deep the sword-cuts were, and how much blood had been lost, but
Cedric made light of his injuries, scorned the idea of being carried, and
indeed seemed to find no difficulty in keeping close to Carna’s litter on
the homeward journey.
Netton—we are unable to give the British name of the village—was reached
some time before dawn. At sunrise the priest, who had refreshed himself
with two or three hours’ sleep, was ready to perform his office at his
little church. It was the first day of the week, and the building was
crowded. It was an oblong building, with a semicircular eastern end, that
resembled that kind of chancel which is known by the name of an apse. It
had been designed by an Italian builder, who had copied the shape that
seems to have been used in the earliest Christian buildings, that of the
_schola_ or meeting-house of the trade guilds or associations. The body of
the building was of timber. The eastern end, or sanctuary, had a little
more pretension to ornament; it was of stone, and the walls were hung with
somewhat handsome tapestry, wrought with symbolic designs.
Public-domain text, read in full here on John Shaqi.
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