The Countess CathleenYeats, W. B. (William Butler)
General
The Countess Cathleen
Yeats, W. B. (William Butler)
Famines -- Ireland -- Drama; Nobility -- Ireland -- Drama
Produced by Marjorie Fulton
THE COUNTESS CATHLEEN
By W. B. Yeats
1912
First Edition............................ 1892
Second Edition (in "Poems" by W. B. Yeats) 1895
Third Edition ,, ,, 1899
Fourth Edition ,, ,, 1901
Fifth Edition ,, ,, 1904
Sixth Edition ,, ,, 1908
Seventh Edition (revised)................ 1912
(All rights reserved.)
To MAUD GONNE
"The sorrowful are dumb for thee"
Lament of Morion Shehone for Miss Mary Bourke
SHEMUS RUA, A Peasant
MARY, His Wife
TEIG, His Son
ALEEL, A Poet
THE COUNTESS CATHLEEN
OONA, Her Foster Mother
Two Demons disguised as Merchants
Peasants, Servants, Angelical Beings, Spirits
The Scene is laid in Ireland and in old times.
SCENE 1
SCENE--A room with lighted fire, and a door into the open air,
through which one sees, perhaps, the trees of a wood, and these
trees should be painted in flat colour upon a gold or diapered
sky. The walls are of one colour. The scene should have the
effect of missal Painting. MARY, a woman of forty years or so,
is grinding a quern.
MARY. What can have made the grey hen flutter so?
(TEIG, a boy of fourteen, is coming in with turf, which he lays
beside the hearth.)
TEIG. They say that now the land is famine struck
The graves are walking.
MARY. There is something that the hen hears.
TEIG. And that is not the worst; at Tubber-vanach
A woman met a man with ears spread out,
And they moved up and down like a bat's wing.
MARY. What can have kept your father all this while?
TEIG. Two nights ago, at Carrick-orus churchyard,
A herdsman met a man who had no mouth,
Nor eyes, nor ears; his face a wall of flesh;
He saw him plainly by the light of the moon.
MARY. Look out, and tell me if your father's coming.
(TEIG goes to door.)
TEIG. Mother!
MARY. What is it?
TEIG. In the bush beyond,
There are two birds--if you can call them birds--
I could not see them rightly for the leaves.
But they've the shape and colour of horned owls
And I'm half certain they've a human face.
MARY. Mother of God, defend us!
TEIG. They're looking at me.
What is the good of praying? father says.
God and the Mother of God have dropped asleep.
What do they care, he says, though the whole land
Squeal like a rabbit under a weasel's tooth?
MARY. You'll bring misfortune with your blasphemies
Upon your father, or yourself, or me.
I would to God he were home--ah, there he is.
(SHEMUS comes in.)
What was it kept you in the wood? You know
I cannot get all sorts of accidents
Out of my mind till you are home again.
Public-domain text, read in full here on John Shaqi.
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