The Countess of Lowndes Square, and Other StoriesBenson, E. F. (Edward Frederic)
General
The Countess of Lowndes Square, and Other Stories
Benson, E. F. (Edward Frederic)
English fiction -- 20th century; Short stories, English
He saw where he was now. He was seated on a chair of pink granite, and a
little in front of him was a huge altar, on which limbs smoked. Overhead
was a low roof supported at intervals by painted pillars, and the whole
of the vast floor was full of great grey apes, squatting in dense rows.
Sometimes they all bowed their heads to the ground, sometimes, as by a
signal, they raised them again, and myriads of obscene expectant eyes
faced him. They glowed from within, as cats’ eyes glow in the dusk, but
with an infinity of hellish power. All that power was his to command,
and he gloried in it.
“Bring them in,” he said, and no more. Indeed, he was not sure if he
said it; it was just his thought.
But as if he spoke the soundless language of animals, they understood,
and they clambered and leaped over each other to do his bidding. Then a
huddled wave of them surged up in front of where he sat, and as it broke
in foam of evil eyes and paws and switching tails, it disclosed the two
whom he had ordered to be brought before him.
“And what shall I do with them?” he asked himself, cudgelling his
monkey-brain for some infamous invention.
“Kiss each other,” he said at length, in order to inflame the brutality
of his jealousy further, and he laughed chatteringly, as their white
trembling lips met. He felt that all remnants of humanity were draining
from him; there was but a little left in his whole nature that could be
deemed to belong to a man. A hundred awful schemes ran about through his
brain, as sparks of fire run through the charred ashes of burnt paper.
And then Julia turned her face towards him. In the hideous entry that
she had made in that wave of apes her hair had fallen down and streamed
over her shoulders. And at that, the sight of a woman’s hair unbound,
the remnant of his manhood, all that was not submerged in the foulness
of his supreme apehood, made one tremendous appeal to him, like some
final convulsion of the dying, and at the bidding of that impulse his
hands came together and snapped the image in two.
Something screamed; the whole temple yelled with it, and mixed with it
was a roaring in his ears as of great waters or hurricane winds. He
stamped on the broken image, grinding it to powder below his heel, and
felt the ground and the temple walls rocking round him.
Then he heard someone not far off speaking in human voice again, and no
music could be so sweet.
“Let’s get out of the place, darling,” it said. “That was an earthquake,
and the horses have bolted.”
He heard running steps outside, which gradually grew fainter. The moon
shone whitely into the little chamber with the grotesque stone apes, and
at his feet was the powdered blue glaze and baked white clay of the
image he had ground to dust.
“THROUGH”
Public-domain text, read in full here on John Shaqi.
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