The Countess of Lowndes Square, and Other StoriesBenson, E. F. (Edward Frederic)
General
The Countess of Lowndes Square, and Other Stories
Benson, E. F. (Edward Frederic)
English fiction -- 20th century; Short stories, English
Oliver walked across to an easy-chair by the fireplace, and took down an
embroidered bag that hung on a painted screen there. It contained a
quantity of coloured wools, and an embroidery tambour. He was employed
just now on making a chair-back in _petit point_, and could easily fill
in areas of uniform colour by electric light, though daylight was
necessary for matching shades of wool. The design was a perfectly unreal
rustic scene with a cottage and a tree and a lamb and a blue sky and a
slightly lighter blue lake. It realized completely to him what the
country ought to be like, and what the country never was like. Instead
of the lamb there was in real life a barking dog and a wasp; instead of
a blue lake a marsh, which oozed with mud and dirtied your boots;
instead of a clean white cottage, a pig-sty or a cowshed where stupid
animals breathed heavily through their noses at you. Oliver hated the
country in consequence, and never left town unless it was to immure
himself from Saturday till Monday in a very comfortable house with
central heating, or to spend a few weeks in some other town; but it was
delightful to sit in his own pleasant room, and with coloured wools make
a picture of what the country should be. In the foreground of his piece
were clumps of daffodils, which he copied from those that stood on a
table near him, for there ought always to be daffodils in the
foreground.
Alice occupied herself for half an hour or so with an active foot on the
treadle of her lathe, and made loud buzzing noises with steel tools and
boxwood. Then, as usual, she went to bed very early, after a short
struggle to read the evening paper, and left Oliver to himself. These
were the hours which he liked best of all the day, for there was no
chance of being interrupted and no prospect of having to go out of doors
or perform any action in which he would come in contact with real life
in any form. Alice’s lathe was silent, and all round him were soft,
shaded objects and his piece of needlework. But though he disliked the
rough touch of life more than anything in the world, there was nothing
he liked better than to imagine himself in the hubbub and excitement of
adventure without stirring from his chair.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account