The Countess of Lowndes Square, and Other StoriesBenson, E. F. (Edward Frederic)
General
The Countess of Lowndes Square, and Other Stories
Benson, E. F. (Edward Frederic)
English fiction -- 20th century; Short stories, English
He was by this time in an advanced state of his agreeable insanity, for
he had lost all control over his imagination, the workings of which were
entirely in the hands of the suggestions that external objects made to
it. It was just in this that the completeness of his enjoyment of life
lay. It was in this, too, that there lay such discomfort and suffering
as was his. The sight of a “dental case” in a window, with its rows of
gleaming teeth and rose-coloured gums and palates, was sufficient to
give him a violent stab of pain in his teeth, for the suggestion implied
that he would have to get them all taken out before he attained to the
acquisition of those foreign splendours. But he had learned by this
time the position of all the shops between his flat and the Stores which
displayed these and similar dolorous exhibitions, and his eye would
instinctively avert itself from doctors’ door-plates or shops where were
sold ear-trumpets, and pitch, with the precision of a bird on a twig, on
cheerful and harmonious windows. He no longer, in fact, lived a
self-governing life of his own, but was no more than thistledown in a
wind before the suggestions that the outside world made to his
disordered senses. And then, as was bound to happen sooner or later,
came the crash.
* * * * *
That day he saw for the first time, close beside the lift in the boot
department, through which he passed by accident, for boots conveyed
nothing at all to him, a black door slightly ajar, and thinking, with a
pang of delight, that some fresh world of experiences might be about to
burst upon him, he entered. His first impression was of some lovely
garden full of white flowers arranged in wreaths, as if in garden beds,
and all covered with glass cases. Then he saw that though his first
impression had been of gleaming whites, the predominant note was black.
There were black cloaks, black scarves, black hats, black-edged
cards.... And then, with a sudden icy pang at his heart, he saw straight
in front of him a large oblong box with glass sides, on the top of which
were nodding ostrich plumes. Simultaneously there advanced out of the
gloom a small man in black clothes, with neat side-whiskers, clearly
dyed. He came towards him, rubbing his hands in a professional and
sympathetic manner.
“Is there anything we can do for you, sir?” he asked.
Oliver’s teeth chattered in his head, and his eyes rolled heavenwards.
Then he spun round and fell in a heap on the floor. He was dead.
PHILIP’S SAFETY RAZOR
Public-domain text, read in full here on John Shaqi.
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