Up to the time of Philip’s obsession there cannot have been in all the world a happier couple than he and his wife. As everybody knows, the ecstasy of life has its home in the imagination, and Philip and Phœbe Partington lived almost exclusively in those realms which were illumined by the light that never was on sea or land. I do not absolutely affirm that sea and land would have been the better for that light; all that I insist on was that the Partington effulgence certainly never was there. It was a remunerative light also, and out of the proceeds they bought a quantity of false Elizabethan furniture and a motor-car. A spin in the motor-car after the ecstatic labour of the morning cleared Phœbe’s head, and they dined together in an Elizabethan room with rushes on the floor. That cleared Phœbe’s head, too, for nothing in the world could be remoter from the setting of her imaginative life than anything Elizabethan. She and her husband lived in an opulent and lurid present, which, in its turn, was just as remote from contemporary life as most people know it, as were the “spacious days” that had left their spurious traces on the dining-room. They were the most industrious of artists and often had as many as three _feuilletons_ running simultaneously in provincial papers, and the manner of their activity was this. Every morning, directly after breakfast, Philip sat in the dining-room, and until one o’clock proceeded to turn into narrative the very complete and articulated skeleton of the tale which Phœbe manufactured in the drawing-room. The imaginative gift was hers; there was not a situation in the world which she could not contemplate unwinking, like an eagle staring into the sun, and these she passed on to her husband, whose power of putting them into narrative was as unrivalled as his wife’s in conceiving them.