The Country House (with Designs)Châteauneuf, Alexis de
History
The Country House (with Designs)
Châteauneuf, Alexis de
Architecture -- England -- History -- 19th century; Architecture, Domestic -- England; Country homes -- England
constructions which have been preserved to us at Pompeii and
Herculaneum, and which Sir W. Gell's tasteful delineations have
rendered so familiar to all. Many remains of the same class in the
vicinity of Rome, and more especially in the Golfo di Gaeta, at
Puzzoli, and in the environs of Naples, sufficiently attest the fancy
and variety with which the ancients availed themselves of the
conditions imposed by peculiarities of ground and locality,--contrived
to combine the advantages of coolness and shade on the one hand, with
the glow of sunshine on the other; to provide a frame and foreground
for the prospect from the house; and to produce happily imagined
effects and picturesqueness of character by means of the irregularity
and declivity of the ground.
Each of those ancient villas presents us with a new idea, and may be
taken as an architectural study. Look, for instance, at those examples
of the kind on the Lake of Albano and the Gulf of Gaëta, where the
dwelling itself is connected with grottoes offering cool retreats,
either for sitting in or for the purpose of baths, and upon entering
which the visitor is so fascinated by the magic effect of reflected
light from the water, that he almost fancies the whole scene to be a
visionary and unearthly one. Water, it may be observed, either gushing
in a stream, or exhibiting an expanded mirror-like surface, appears to
have been considered by the ancients indispensable to the charm of a
villa residence. In both the destroyed cities, even the smallest town
houses offered upon entering them the reflection of the sky on the
surface of the water contained in the basin of the impluvium. In larger
dwellings, water was introduced more abundantly, and also in greater
variety of modes; and residences upon the coast were built out quite
into the sea. Besides much else that they have derived from the
ancients, the modern Italians have retained this fondness for the
combination of water and architecture, as many of their villas testify.
For examples of the kind I refer you to the Villa Madama near Rome, and
also to several at Frescati; and yet there the water and the
architecture are not so intimately connected as in the villas and
houses of the ancients. The climate of the north, in a great measure,
prevents our availing ourselves of water as a means of producing
reflection of light in the interior; but we may imitate this principle
in a due arrangement of light and shade, and also in some cases by the
use of mirrors in place of water.
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