I must apologize for the indefiniteness of this letter, but I think I have given enough to serve as a text for the answer. The style and site settled, I propose we should at once come to materials to be used, ground plan and elevation. As regards offices, I will mention such as are essential; as you may, in consideration of the plan, like to know this; there will be one small lodge at the entrance on the south-west, and should have no objection to a back entrance at the north; as this may be used as a labourer's cottage. There will be a double coach-house, stables for six horses; a small ice-house and gardener's cottage. The two latter may be arranged so as to form part of the garden wall. I mean the kitchen garden, which will be at some small distance from the house, at the back, or north; but I mean it to be connected with the house by the flower-garden and plantations. Yours, &c. H. B. [Decorative illustration] [Heading illustration] LETTER VII. DEAR SIR, WE come now to fix upon a part of the grounds that shall appear most healthy, neither too confined nor too exposed; commanding a good prospect, yet well sheltered. This is a very material point, and not indeed altogether free from difficulty; nevertheless, proper attention to the two circumstances just mentioned would perhaps, in the generality of cases, lead at once to the selection of the most favourable site for building upon; both as regards prospect from the house, and the view towards it; so that as regards the latter, it would display itself to the utmost advantage. With respect to the mode of combining buildings with the surrounding scenery, the following principles and directions are laid down by the ablest of our writers in the German language, on the subject of landscape gardening.[3] "If due care be taken to distribute the masses of light and shade, so that they shall judiciously relieve and balance each other, satisfactory effect, as regards the general grouping and composition of the scenery, can hardly fail to be secured. Grass, water, and level lawns, which throw no shadow upon other objects, but merely receive those which the latter cast upon them, are to be considered as _lights_ in landscape gardening, while trees, woods, buildings, and rocks, (should there be any) afford the artist his _shadows_ and darker tints. In making use of these contrary elements, care must be taken lest breadth of effect be destroyed, and a disagreeable spottiness substituted for it; in consequence of there being too many separate and partial effects independent of each other; or else by there being too great a proportion of unbroken _light_. On the other hand an equal fault is committed, if a few dark masses of shadow are allowed so to predominate, as to overpower all besides; or again, if lawn and water exhibit naked unbroken surfaces of light too harshly defined; whereas they ought to be left partially to lose themselves in indistinctness,