As to gilding--oil-gilding is cheaper than water-gilding; which last has only the advantage of looking more brilliant than the former at first. Fresco painting, again is less expensive than any mode of painting in oil; for it necessarily demands far greater rapidity of execution, and the effect being produced at once, instead of the work proceeding through all the different stages from dead colouring to the last finishing. How very poor a succedaneum for fresco painting is Gobelius tapestry! in which latter the execution is entirely mechanical, giving a mere soulless plodding transcript of the original, while as some of the colours fade sooner than the rest, the whole becomes in a short time quite inharmonious. I am moreover convinced that there are many able artists now living, who would execute designs in fresco for the same price that is paid for designs in tapestry; so that durability being considered, the saving accruing from the former would be considerable. Nor is it the least important consideration of all, that art itself would be extensively benefited by the adoption of such practice. I at least am thoroughly convinced, that a single room painted in fresco by an able artist would do more for the advancement of sound art in England than a score of commissions for oil-pictures, or than a hundred so called illustrated editions of popular works, with wood cuts. Pre-eminently gifted as is England with a true feeling for colouring, there is no doubt but that her school would be able to impart a fresh vigour to fresco painting, and would set a bright example to the continent in this branch of the art. Yours, &c. A. C. N.B. Some further observations of M. de Chateauneuf's, in defence of his views regarding the fit style of architecture for a modern house, and also his design for the interior, have been omitted: I regret this, and so, I think, will the reader; the additions, however, would have made the work too expensive. The plates at the end will give a clear idea of the general plan and the elevation, and the last plate contains the proposed alteration of the tower, and omitting the lake. _Editor._ [Heading illustration] LETTER XI. TO CHARLES LOCK EASTLAKE, ESQ. R.A. ETC. MY DEAR SIR, AT length I write to claim the performance of your promise, viz. that you would give me your advice as regards the decoration of the house designed by M. de Chateauneuf, the drawings and plans for which you have seen. After some discussion, and a struggle on my part in favour of the Elizabethan, the Perpendicular-gothic, or whatever the style is to be designated, M. de Chateauneuf has triumphed, and the Italian, or revived antique, (essentially the Grecian,) has been finally agreed on.