The Country House (with Designs)Châteauneuf, Alexis de
History
The Country House (with Designs)
Châteauneuf, Alexis de
Architecture -- England -- History -- 19th century; Architecture, Domestic -- England; Country homes -- England
The word "decoration," however appropriate to fantastic ornaments, and
in some degree to insulated figures, has, as you know, been considered
vilifying when applied to works that are addressed to the mind. But, as
we have no other term, we must consent to use it in both meanings. It
is, indeed, important to remember, that no works of art, however
elevated, can dispense with the appeal, the impressive or winning
appeal, to the eye. Thus much for our definition of terms.
As a general principle in decoration, I would recommend that the eye
should be solely or chiefly addressed where a passing glance only can
be given to the work, and that the attention should be more taxed where
leisure and surrounding circumstances permit or invite contemplation.
The reverse of this would be manifestly wrong; but the recommendation
itself is not to be understood too literally. Every display has its
legitimate exuberance: the "over and above" in decoration can only be
that of quality, for mere taste is supposed to define all that relates
to quantity. As common poetic description sometimes exalts its subject
less by accumulation than by supposing costly materials where mean ones
would do, so in art the augmenting excellence ascends from sense to
thought. If, therefore, the intention to afford mental pleasure is very
apparent even in situations where this may appear superfluous and in a
manner thrown away, the impression must of itself be elevating. But the
indispensable condition is, that a gradation should still be
maintained; that higher excellence should still be in reserve. What
must be the character of works of art to which Raphael's Corridor in
the Vatican forms the mere approach? The answer is given by the
perfection of the works in the Stanze. All that is to be insisted on,
therefore, is a due gradation in conformity with the principle first
proposed. In the remarks that follow, I cannot strictly follow the plan
of the house, but must often generalize; the observations submitted, if
tenable at all, will, however, be easily applicable to your purpose.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account