argument, in short, so far as fitness and utility are concerned, is one
and the same in both classes of objects—the house and its inmates alike
illustrative of contrivance and skill—equally eloquent in praise of the
artist’s mind or the artist’s hand.
And in this way it is, that the story of our earth should be read, and
the course of creation should be traced. In the first ordering of things,
we see the interposition of a great First Cause; and the farther back we
go in our geological researches, the more closely do we discern the chain
that connects our globe, and all that is in it, with the throne of the
Eternal. The everlasting hills, we are constantly reminded in Scripture,
are the witnesses of his power. They are appealed to as the evidences of
his ever-active, ever-sustaining presence. What wonderful manifestations
of his might and wisdom have they been called to testify! Mount Ararat,
the symbol of his saving interposition—Mount Sinai, for the giving of the
law, and surrounded with the thunder and terror of his great name—Horeb,
proclaiming his mercy and the gentleness of his love—Gilboa, drenched in
the blood of his swift vengeance—Hermon, a token of the minuteness of his
care and the sweetness of his grace—Tabor, Olivet, and Calvary! scenes of
the mystery of incarnation and awful purity of inflexible justice.—And
these very hills and mountains around, standing memorials through all
ages and their revolutions, that at his bidding they arose, and by his
sustaining agency they are still upheld and preserved on high.
Public-domain text, read in full here on John Shaqi.
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