France -- History -- 15th century -- Juvenile fiction
Musicians, and indeed all people who are capable of entertaining others,
have fits of diffidence at the most unexpected moments, and although he
was in the habit of singing for the ladies of the Burgundian court, who
knew far more about music than these people could possibly understand,
it seemed to Antoine that if he could unseen escape by the door, and run
away into the woods, or sink through the floor, it would be the greatest
boon that could happen to him. Not being able to efface himself in any
way, he resorted to a fib, and said that he would be most happy to
oblige them, but that a string of his lute was broken, and that he had
no other with which to replace it.
Le Glorieux strode to the corner of the room and took up the lute where
the boy had placed it before supper. It was an instrument resembling a
modern mandolin with a crooked neck, as if it had once been strangled,
and becoming convulsed in the effort to breathe, had remained petrified
in that position.
The jester held the instrument out at arm's length, saying, "It is
strange, but even a lute can not remain disabled in the neighborhood of
the good Saint Roch. Here are all the strings in a perfectly sound
condition, and fairly quivering with anxiety to be played on."
A fib, like a murder, will "out" sooner or later, and realizing this
fact, Antoine said nothing more, but striking a few chords began to
sing, though in a quavering voice.
"See here, Antoine," said his friend, stopping him, "I have praised your
voice and I am not going to have you sing like a frog that is choking to
death in a pond. Open your mouth and let your words out instead of
keeping them prisoners behind your teeth."
The boy was very angry at being thus derided, and his voice rang loud
and flute-like in an old chanson of Burgundy, to which his audience
listened with great pleasure, the innkeeper's wife remarking at its
close that it was one she often had sung in her childhood.
"Let him sing some more songs of Burgundy," said the child in the
window, speaking for the first time since she had made the remark about
the hawk.
Antoine complied, and in the middle of the second song the company was
surprised by the entrance of a large woman clad in a loose robe and a
nightcap, who, without a word of apology, crossed the room to the window
and waving her arms with their wide, flowing sleeves, which in this
position gave her the appearance of a large bird that is about to fly,
poured out a torrent of words in a strange language, then, swooping upon
the little girl, swept her from the window and held her imprisoned in
her wing-like arms.
[Illustration: She laid it on baby Mary's breast]
Public-domain text, read in full here on John Shaqi.
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