France -- History -- 15th century -- Juvenile fiction
First came a man with a performing monkey, whose antics excited roars of
laughter, followed by a _jongleuse_, or female juggler, who won a great
deal of admiration by her dexterity in whirling a little drum about on
the very tips of her fingers. Then came a man who could turn a number of
somersaults without touching his hands to the floor, which would seem to
have been a dangerous feat to attempt, for before each performance he
was careful to make the sign of the cross.
This ended the program of the players, and Le Glorieux, who had watched
them from his place on the floor, where, sprawling with his elbow
resting on a cushion, he was making himself as comfortable as possible,
was now anxious to have Antoine appear, for he knew that in his way the
boy was far more talented than any who had to-night performed before the
court. So, with the permission of the duchess, he went to fetch Antoine.
"Now, my young friend," said he, taking the boy by the ear, "I want you
to do us both credit. No choking and squeaking to-night, if you
please."
"You do not know what it is to be seized with a panic," retorted Antoine
sulkily. "Very easy it is for you, who have the impudence to flout
kings, to talk thus to one who is frightened of strangers."
"Fie!" exclaimed Le Glorieux. "Do not think of what the people think of
you; think of what you think of them, and you will have no trouble,"
which, although a sentence having a good many "thinks" in it, is not a
bad rule to follow when performing in public.
Antoine seemed to heed his friend's advice, for he began a lively air so
inspiring that the duchess kept time with her small fingers on the arm
of her chair, while Le Glorieux sprang up and danced in a series of
glides and whirls, with his fantastic figure reflected in the polished
floor.
A good while before the period of which I am telling you there were
trouveres and troubadours who used to compose songs while they were
singing them. Antoine, being a born musician, often did the same thing
when he was in the humor for it, and that, too with considerable
success.
He now began a weird little accompaniment suggesting the sighing of the
wind through the woods, and then followed the woeful tale of witches who
stole a knight's purse and horse and hawk, and later transformed the
knight himself into a dancing dervish who kept on whirling and whirling
for ever. There was a twinkle of mischief in the boy's eyes as he sang,
and although the company thrilled deliciously at the blood-curdling
passages, Le Glorieux knew quite well who was meant by the bewitched
knight.
When the song was finished the fool stalked forward and picked up the
singer by the back of the neck as a mother cat lifts her kittens. "I
understand it all now," said he. "Cousin Anne, I thought the witches had
played me a trick this afternoon, but it was this little villain, who
evidently skulked along behind me, awaiting his opportunity to do me
some mischief!"
Public-domain text, read in full here on John Shaqi.
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