The Court of the Empress JosephineImbert de Saint-Amand
History
The Court of the Empress Josephine
Imbert de Saint-Amand
Josephine, Empress, consort of Napoleon I, Emperor of the French, 1763-1814
The Empress's grace and affability aroused general admiration. At the
reception of the upper clergy of Italy, May 25, she was thus complimented
by the Archbishop of Bergamo: "Madame, If charity were to descend from
heaven to relieve the woes of humanity, it would seek no other asylum than
the heart of a Queen, adored by her subjects. The feelings of love,
gratitude, and respect which animate all your subjects are the same that
lead to your feet all the bishops of the kingdom of Italy. Happy to find
in your august spouse sublimity, glory, and genius, and in you all the
charm of kindness, nothing is left for them but to pray for the happiness
of your reign, and to offer thanks to heaven for having united in the
souls of their sovereigns everything which can make supreme power loved
and respected." This speech will suffice to show to what pitch the
official flatteries were tuned.
The coronation took place May 26, in the Milan. Cathedral, which is the
largest church in Italy, with the single exception of Saint Peter's in
Rome. The weather was magnificent. From early morning a numberless throng
crowded the Place of the Cathedral, the court-yards of the palace, and the
adjacent streets. Just as in Paris at the coronation, a wooden gallery had
been built, connecting the Archbishop's Palace with Notre Dame, so here at
Milan, a similar gallery led from the palace to the Cathedral. The
interior of the church was decorated with crimson silk stuffs. As at Notre
Dame, a large throne had been built at the entrance to the nave,
approached by twenty-five steps. Four gilded statues, representing
victories, upheld like caryatides the canopy above the throne. The four
figures held in one hand palms; in the other, the green velvet mantle
falling from the royal crown above the canopy. The Cathedral was
brilliantly lit by forty chandeliers hanging from the roof, and as many
candelabra fastened on the columns.
Public-domain text, read in full here on John Shaqi.
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