The Courtship of AnimalsPycraft, W. P. (William Plane)
Science
The Courtship of Animals
Pycraft, W. P. (William Plane)
Animal behavior; Natural selection
Darwin suggested that the mane of the Baboons, for example, served as
a shield when fighting with rivals, protecting the great blood-vessels
from injury. Incidentally this end may be attained, but from what we
know of similar developments in other animals, this cannot be regarded
as the primary function of the mane. One is tempted to look upon it
as a protective device because of its position, but it is probably
no more so than is the long flowing hair which adorns the flanks of
the Guereza. This is of a purely ornamental character, although,
according to some, it is to be reckoned as an instance of protective
coloration, the long white hair matching the long pendant masses of
lichen which hang from the boughs of the trees in the damp forests
where these creatures live, and so concealing them from their enemies.
Of beards and moustaches many examples might be cited, but the most
striking must suffice. These are furnished by the Satan Monkey or
Black Saki (_Pithecia satanas_), and the little Tamarin Monkey (_Midas
imperator_)—one of the Marmosets. In the first-named the beard is thick
and full, but in the latter scanty. This, however, is atoned for by the
enormous upwardly curled moustache giving the face a most comically
human appearance.
[Illustration: Plate 3.
_From drawings by I. Thornton._
THE BAROMETER OF MALENESS—AMONG THE APES.
All the Man-like Apes possess great canine teeth and powerful voices.
In the Orangutan the Compass of the voice is enormously heightened by
means of a huge wind-bag which encircles the neck. The wind-bag is seen
in fig. 1, which also shows the great folds of skin developed by adult
males on each side of the face. In other species, as in the Tamarin
Marmoset (_Midas imperator_) (fig. 2), and the Satan monkey (_Pithecia
satanus_) (fig. 3), “ornaments” in the shape of beards and moustaches
are developed, while in the Mandrill (fig. 4) the face is vividly
coloured.
[Face page 44.]
Public-domain text, read in full here on John Shaqi.
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