The Covent Garden Theatre, or Pasquin Turn'd Drawcansir — John Shaqi
The Covent Garden Theatre, or Pasquin Turn'd DrawcansirMacklin, Charles
General
The Covent Garden Theatre, or Pasquin Turn'd Drawcansir
Macklin, Charles
English drama
E-text prepared by Louise Hope, Joseph Cooper, Alex Buie, The Type-In
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Transcriber's note:
The primary text was handwritten, probably by a professional
copyist. All line-endings were regularized by added dashes of
variable length; some "real" dashes are therefore conjectural.
Instead of typographic variants such as italics or boldface,
some words are distinguished by _underlining_ or #smaller
writing#. Abbreviations such as "Mr." were written with
superscripts as M^r.; they have been simplified for
readability.
Unless otherwise noted, all spelling, punctuation and
capitalization--including I/J variation and comma/period
errors--are as in the original. Errors and uncertainties are
listed at the end of the e-text.
The Augustan Reprint Society
CHARLES MACKLIN
_THE COVENT GARDEN_
_THEATRE,_
OR
_Pasquin Turn'd Drawcansir_
(1752)
_INTRODUCTION_
by
JEAN B. KERN
[Decoration]
Publication Number 116
WILLIAM ANDREWS CLARK MEMORIAL LIBRARY
University of California, Los Angeles
1965
GENERAL EDITORS
Earl R. Miner, _University of California, Los Angeles_
Maximillian E. Novak, _University of California, Los Angeles_
Lawrence Clark Powell, _Wm. Andrews Clark Memorial Library_
ADVISORY EDITORS
Richard C. Boys, _University of Michigan_
John Butt, _University of Edinburgh_
James L. Clifford, _Columbia University_
Ralph Cohen, _University of California, Los Angeles_
Vinton A. Dearing, _University of California, Los Angeles_
Arthur Friedman, _University of Chicago_
Louis A. Landa, _Princeton University_
Samuel H. Monk, _University of Minnesota_
Everett T. Moore, _University of California, Los Angeles_
James Sutherland, _University College, London_
H. T. Swedenberg, Jr., _University of California, Los Angeles_
CORRESPONDING SECRETARY
Edna C. Davis, _Clark Memorial Library_
EDITORS' NOTE
Although of considerable interest in itself, this hitherto unpublished
manuscript play is reprinted in facsimile in response to requests by
members of the Society for a manuscript facsimile of use in graduate
seminars.
INTRODUCTION
Public-domain text, read in full here on John Shaqi.
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