Horse and rider dashed into the sunlight. The boy--for he was no more
than a boy--sat the beast as though born to it, his lithe frame taking
every motion of his mount as softly as a good boat rides the sea. His
red shirt and thick hairy schaps could not disguise the lean
muscularity of his figure; the broad felt hat, and the revolver at his
belt, gave just the touch of romance. With a yell at his horse he
snatched the hat from his head, turning to the sun a smooth, brown face
and a mane of dark hair, and slapped the horse across the flank with
his crumpled headgear. At the signal the animal sprang into the air,
then dashed at a gallop down the roadway, bearing the boy as
unconcerned as a flower on its stem.
Suddenly he brought his horse to a stop; swung about, and rode back at
a gentle canter. A few yards from the house he again spurred him to a
gallop, and, leaning far down by the animal's side, deftly picked a
bottle from among the grass. Then he circled about, repeating this
operation as often as his eye fell on a bottle, until he had
half-a-dozen; then down the road again, carefully setting a bottle on
each post of the fence that skirted it to the right.
Again he came back to the house, but, when he turned, his eye was on
the row of posts, and his right hand lay on the grip of his revolver.
Again his sharp yell broke the silence and the horse dashed forward as
though shot from a gun. Down the road they went until within a rod of
the first bottle; then there was a flash in the sunlight, and to the
clatter of the horse's hoofs came the crack-crack of the revolver. Two
bottles shivered to fragments, but four remained intact, and the boy
rode back, muttering and disappointed.
He reasoned with his horse as he rode. "'Taint no use, you ol'
slop-eye; a fellow can't get the bede if he ain't got the fillin';
cooked meals an' decent chuck. I could plug 'em six out o' six--you
know that, you ol' flop-ears; don't you argue about it, neither--when
I'm right inside my belt I smash 'em six out o' six, but I ain't right,
an' you know it. You don't know nothin' about it; you never had a
father, leastways, you never had to be responsible for one. . . .
Well, it's comin' to a finish--a damn lame finish, you know that. You
know--"
But he had reloaded his revolver and set up two more bottles. This
time he broke four, and was better pleased with himself. As he rode
back his soliloquy was broken by a strange sound from beyond the belt
of trees. The horse pricked up his ears, and the boy turned in the
saddle to listen.
"Jumpin' crickets, what's loose?" he ejaculated. He knew every sound
of the foothill country, but this was strange to him. A kind of snort,
a sort of hiss; mechanical in its regularity, startling in its
strangeness, it came across the valley with the unbroken rhythm of a
watch-tick.
Public-domain text, read in full here on John Shaqi.
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