The Coward: A Novel of Society and the Field in 1863Morford, Henry
History
The Coward: A Novel of Society and the Field in 1863
Morford, Henry
United States -- History -- Civil War, 1861-1865 -- Fiction
Near the house, on both sides, other houses of corresponding pretension
though displaying great variety in style of architecture; and in front,
across the wide road, still others showing to the right and left, and the
whole appearance of the immediate neighborhood evidencing that it was
neither country nor city, but a blending of both, suburban, and a chosen
spot for the residences of those who did business in the great city and
wished to be near it, and who possessed means and taste to make so pleasant
a selection. Still farther away in front, as seen between the other houses
and shrubbery, and stretching off southward in a long rolling sweep, rich
agricultural country, with some of the hay-crop yet ungathered, broad
fields of grain receiving the last ripening kiss of the sun before yielding
to the sickle or the reaping-machine, and fruit-trees already beginning to
be golden with the apples, pears and peaches glimmering amid the leaves. A
quiet, gentle scene, with evident wealth to gild it and perfect repose to
lend it character; and over all the warm sun of a June morning resting like
a benediction, and a slight shadow of golden haze in the air softening
every object in the perspective. Occasionally a pedestrian figure moving
slowly along one of the foot-paths that bordered the wide road; and anon a
farm-wagon loaded with early produce and on its way to market, rumbling by
with such a sleepy expression on the face of the driver and such lollings
of the ears of the full-fed and lazy horses, that the episode of its
passage rather added to than detracted from the slumberous quiet of the
prospect.
Then another passage, very different and not at all in keeping with any of
the points that have before been noted. An officer in full uniform, with
the front of his chasseur cap thrown high in defiance of the glare of the
sunshine, spurring by on a high-stepping and fast-trotting horse, eastward
towards the city, with such life and haste in every movement of himself and
the animal he bestrode as to momentarily dash the whole view with unquiet.
Then the equestrian figure out of sight and the beat of his horse's hoofs
heard no longer; and the scene relapsing into that languor born of the June
morning verging rapidly towards noon.
Then a sudden sound, still more discordant with the drowsy peace of the
hour than the sight of the spurring soldier, and still more painfully
suggestive of war in the land of peace. The quick, sharp rattle of a
snare-drum, but a little space removed, and apparently passing down one of
the lateral roads in the neighborhood, dying away with a light tap into the
distance a moment after, and quiet coming back again yet more markedly
after so incongruous an interruption.
Public-domain text, read in full here on John Shaqi.
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