Ordinarily the expression of his queer-looking face was probably a
pleasant one; there was that about it which hinted that, in a general
way, the man's outlook on to life was that of a humorist. But there
was little pleasant about it then, or humorous either. It was not
likely that his complexion ever was his strongest feature--at that
moment it had a peculiar pallor which was singularly unattractive.
Like many dark men, evidently nature had meant him to have a strong
beard. His cheeks and chin and upper lip were shaven, but apparently
that day they had not known the razor. In consequence they were of a
bluish tint, which was in ghastly harmony with the almost unnatural
colour of his skin. The appearance of the man fascinated the girl who
was peeping at him from behind the curtain, as if he realised some
picture which, in some occult fashion, had unwittingly been present in
her mind, of a man in a rage. His pose; his attitude; his disordered
attire; something which looked out of his eyes; the obvious mental
agitation which caused his countenance to wear that singular hue; the
gleam of scarlet which was all that marked his tightly closed mouth;
the ominous fashion in which, while standing perfectly still, he never
took his glance from off the man in front of him--although she might
not have been able to put the thing into words, everything about him
spoke to the sensitive imagination of the girl of one who, for a very
little, would throw everything aside in the fullness of his desire to
gratify the lust of his rage.
The man in front of him was angry too; but with him anger took a
different form: his was rather bad temper than genuine passion. It had
about it a suggestion of bluster, of effort; as if he would have liked
to be more angry than he actually was. Beyond doubt he was
sufficiently annoyed with the stranger; so annoyed that he was quite
willing to do him a mischief; to knock him down, for instance; even to
throw him from the room. Yet, disposed as he evidently was to be as
disagreeable as he could be, his rage altogether lacked that quality
of intensity, of white heat, which marked the other; the something
which caused the girl, when she appreciated, though only vaguely, the
scene which was being enacted before her, to feel that it would be
well that, at the earliest possible moment, she should make her
presence known, for Mr Emmett's protection.
Public-domain text, read in full here on John Shaqi.
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