This time her sensations were worse than before: she was being
punished for her share in what had been done. She became awake to the
fact that with that door locked--and egress, therefore, rendered
impossible--her position had become a most unpleasant one. No doubt
the waiter, declining, wisely enough, to accept more responsibility
than he could help, had gone to tell the news to someone. Soon that
someone would come back with the waiter; the news would be passed on,
sooner or later, to the police. The girl had, of course, no actual
knowledge of the procedure in such cases; she knew more about French
methods than English, but she had sufficient intelligence to be aware
that, ultimately, the police would appear upon the scene. If she was
unable to escape before they came, as, if each time someone went out
of the room, the door was locked, would be the case--and the police
found her there behind the curtain--what would happen to her then?
What conclusions would they draw?
The terror of such a prospect moved her to action--or, at least, to
attempted action. Was there no other way of getting out of the room
except by the door? She turned to the window which was behind her.
Drawing aside the blind she found that it was set with small panes of
coloured glass. She was quick-witted enough to guess that that was
probably because it looked out upon a stable or a yard, or something
equally agreeable; and therefore a good view was a thing not to be
desired. If that were the case then to attempt to escape that way
would be to court discovery. Besides, she remembered that the room was
on the first floor, that the approach from the hall was up a flight of
several stairs; whatever might be on the other side of that window, it
was not likely that it would be easy to reach the ground. Was there no
other way out of the room? She thrust the curtains aside to look--and
heard the key being put into the lock of the door.
She was back again behind the curtain when the door reopened, and the
waiter reappeared, with, at his heels, somebody who was evidently a
personage. A short, cobby man, middle-aged, wearing a gloire de Dijon
rose in the buttonhole of his frock-coat, about him a general air of
being well groomed. The waiter moved quickly towards the table, the
other following close behind him. When they reached the chair the
waiter said nothing; it was unnecessary; the other saw. What he saw
seemed to impress him with a sense of having been subjected to a
personal affront. He asked pettishly:
"What's the meaning of this?" Receiving no answer--the waiter was
again stroking his bristly chin with the fingers of his left hand,
with about him still that suggestion of the anxious rabbit--he
addressed himself to the figure in the chair. "Mr Emmett! Sir!" No
notice being taken he repeated his former futile inquiry: "What the
deuce does this mean?" Then he added, as if the notion had all at once
occurred to him: "He's dead!"
"I'm afraid he is, sir."
Public-domain text, read in full here on John Shaqi.
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