It made me, to begin with, very restless—made me, instead of going straight to the station, fidget a little about that many-coloured Common which gives Wimbledon horizons. There was a worry for me to work off, or rather keep at a distance, for I declined even to admit to myself that I had, in Miss Anvoy’s phrase, been saddled with it. What could have been clearer indeed than the attitude of recognising perfectly what a world of trouble The Coxon Fund would in future save us, and of yet liking better to face a continuance of that trouble than see, and in fact contribute to, a deviation from attainable bliss in the life of two other persons in whom I was deeply interested? Suddenly, at the end of twenty minutes, there was projected across this clearness the image of a massive middle-aged man seated on a bench under a tree, with sad far-wandering eyes and plump white hands folded on the head of a stick—a stick I recognised, a stout gold-headed staff that I had given him in devoted days. I stopped short as he turned his face to me, and it happened that for some reason or other I took in as I had perhaps never done before the beauty of his rich blank gaze. It was charged with experience as the sky is charged with light, and I felt on the instant as if we had been overspanned and conjoined by the great arch of a bridge or the great dome of a temple. Doubtless I was rendered peculiarly sensitive to it by something in the way I had been giving him up and sinking him. While I met it I stood there smitten, and I felt myself responding to it with a sort of guilty grimace. This brought back his attention in a smile which expressed for me a cheerful weary patience, a bruised noble gentleness. I had told Miss Anvoy that he had no dignity, but what did he seem to me, all unbuttoned and fatigued as he waited for me to come up, if he didn’t seem unconcerned with small things, didn’t seem in short majestic? There was majesty in his mere unconsciousness of our little conferences and puzzlements over his maintenance and his reward.