During the time that Ferdinand and Isabella besieged the city, the young Moorish and Spanish knights vied with each other in extravagant bravadoes. On one occasion Hernando del Pulgar, at the head of a handful of youthful followers, made a dash into Granada at the dead of night, nailed the inscription of Ave Maria, with his dagger, to the gate of the principal mosque, as a token of having consecrated it to the Virgin, and effected his retreat in safety. While the Moorish cavaliers admired this daring exploit, they felt bound to revenge it. On the following day, therefore, Tarfe, one of the stoutest of the infidel warriors, paraded in front of the Christian army, dragging the sacred inscription of Ave Maria at his horse's tail. The cause of the Virgin was eagerly vindicated by Garcilaso de la Vega, who slew the Moor in single combat, and elevated the inscription of Ave Maria, in devotion and triumph, at the end of his lance. The drama founded on this exploit is prodigiously popular with the common people. Although it has been acted time out of mind, and the people have seen it repeatedly, it never fails to draw crowds, and so completely to engross the feelings of the audience, as to have almost the effect on them of reality. When their favorite Pulgar strides about with many a mouthy speech, in the very midst of the Moorish capital, he is cheered with enthusiastic bravoes; and when he nails the tablet of Ave Maria to the door of the mosque, the theater absolutely shakes with shouts and thunders of applause. On the other hand, the actors who play the part of the Moors have to bear the brunt of the temporary indignation of their auditors; and when the infidel Tarfe plucks down the tablet to tie it to his horse's tail, many of the people absolutely rise in fury, and are ready to jump upon the stage to revenge this insult to the Virgin. Besides this annual festival at the capital, almost every village of the Vega and the mountains has its own anniversary, wherein its own deliverance from the Moorish yoke is celebrated with uncouth ceremony and rustic pomp.