On these occasions a kind of resurrection takes place of ancient Spanish dresses and armor; great two-handed swords, ponderous arquebuses, with matchlocks, and other weapons and accouterments, once the equipments of the village chivalry, and treasured up from generation to generation, since the time of the conquest. In these hereditary and historical garbs some of the most sturdy of the villagers array themselves as champions of the faith, while its ancient opponents are represented by another band of villagers, dressed up as Moorish warriors. A tent is pitched in the public square of the village, within which is an altar and an image of the Virgin. The Spanish warriors approach to perform their devotions at this shrine, but are opposed by the infidel Moslems, who surround the tent. A mock fight succeeds, in the course of which the combatants sometimes forget that they are merely playing a part, and exchange dry blows of grievous weight; the fictious Moors especially are apt to bear away pretty evident marks of the pious zeal of their antagonists. The contest, however, invariably terminates in favor of the good cause. The Moors are defeated and taken prisoners. The image of the Virgin, rescued from thralldom, is elevated in triumph; and a grand procession succeeds, in which the Spanish conquerors figure with great vainglory and applause, and their captives are led in chains, to the infinite delight and edification of the populace. These annual festivals are the delight of the villagers, who expend considerable sums in their celebration. In some villages they are occasionally obliged to suspend them for want of funds; but when times grow better, or they have been enabled to save money for the purpose, they are revived with all their grotesque pomp and extravagance. To recur to the exploit of Hernando del Pulgar. However extravagant and fabulous it may seem, it is authenticated by certain traditional usages, and shows the vainglorious daring that prevailed between the youthful warriors of both nations, in that romantic war. The mosque thus consecrated to the Virgin was made the cathedral of the city after the conquest; and there is a painting of the Virgin beside the royal chapel, which was put there by Hernando del Pulgar. The lineal representative of the hare-brained cavalier has the right to this day to enter the church, on certain occasions, on horseback, to sit within the choir, and to put on his hat at the elevation of the host, though these privileges have often been obstinately contested by the clergy.