"Julia, my dear," said he, "Mr. Mountjoy would like to hear a little music
from your harp; let us hear, too, the sound of your voice."
Julia immediately complied, without any of that hesitation and difficulty,
by which young ladies are apt to make company pay dear for bad music. She
sang a sprightly strain, in a brilliant style, that came trilling playfully
over the ear; and the bright eye and dimpling smile showed that her little
heart danced with the song. Her pet canary bird, who hung close by, was
awakened by the music, and burst forth into an emulating strain. Julia
smiled with a pretty air of defiance, and played louder.
After some time the music changed, and ran into a plaintive strain, in a
minor key. Then it was that all the former witchery of her voice came over
me; then it was that she seemed to sing from the heart and to the heart.
Her fingers moved about the chords as if they scarcely touched them. Her
whole manner and appearance changed; her eyes beamed with the softest
expression; her countenance, her frame, all seemed subdued into tenderness.
She rose from the harp, leaving it still vibrating with sweet sounds, and
moved toward her father, to bid him good-night.
His eyes had been fixed on her intently during her performance. As she came
before him he parted her shining ringlets with both his hands, and looked
down with the fondness of a father on her innocent face. The music seemed
still lingering in its lineaments, and the action of her father brought a
moist gleam in her eye. He kissed her fair forehead, after the French mode
of parental caressing: "Goodnight, and God bless you," said he, "my good
little girl!"
Julia tripped away, with a tear in her eye, a dimple in her cheek, and a
light heart in her bosom. I thought it the prettiest picture of paternal
and filial affection I had ever seen.
When I retired to bed, a new train of thoughts crowded into my brain.
"After all," said I to myself, "it is clear this girl has a soul, though
she was not moved by my eloquence. She has all the outward signs and
evidences of poetic feeling. She paints well, and has an eye for nature.
She is a fine musician, and enters into the very soul of song. What a pity
that she knows nothing of poetry! But we will see what is to be done? I am
irretrievably in love with her; what then am I to do? Come down to the
level of her mind, or endeavor to raise her to some kind of intellectual
equality with myself? That is the most generous course. She will look up to
me as a benefactor. I shall become associated in her mind with the lofty
thoughts and harmonious graces of poetry. She is apparently docile: besides
the difference of our ages will give me an ascendency over her. She cannot
be above sixteen years of age, and I am full turned to twenty." So, having
built this most delectable of air castles, I fell asleep.
* * * * *
Public-domain text, read in full here on John Shaqi.
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