My eye accidentally caught two or three half-withered wild flowers lying on the ground. The unknown nymph had doubtless dropped them from her bosom! Here was a new document of taste and sentiment. I treasured them up as invaluable relics. The place, too, where I found them, was remarkably picturesque, and the most beautiful part of the brook. It was overhung with a fine elm, entwined with grapevines. She who could select such a spot, who could delight in wild brooks, and wild flowers, and silent solitudes, must have fancy, and feeling, and tenderness; and with all these qualities, she must be beautiful! But who could be this Unknown, that had thus passed by, as in a morning dream, leaving merely flowers and fairy footsteps to tell of her loveliness? There was a mystery in it that bewildered me. It was so vague and disembodied, like those "airy tongues that syllable men's names" in solitude. Every attempt to solve the mystery was vain. I could hear of no being in the neighborhood to whom this trace could be ascribed. I haunted the spot, and became daily more and more enamored. Never, surely, was passion more pure and spiritual, and never lover in more dubious situation. My case could be compared only to that of the amorous prince in the fairy tale of Cinderella; but he had a glass slipper on which to lavish his tenderness. I, alas! was in love with a footstep! The imagination is alternately a cheat and a dupe; nay, more, it is the most subtle of cheats, for it cheats itself and becomes the dupe of its own delusions. It conjures up "airy nothings," gives to them a "local habitation and a name," and then bows to their control as implicitly as though they were realities. Such was now my case. The good Numa could not more thoroughly have persuaded himself that the nymph Egeria hovered about her sacred fountain and communed with him in spirit than I had deceived myself into a kind of visionary intercourse with the airy phantom fabricated in my brain. I constructed a rustic seat at the foot of the tree where I had discovered the footsteps. I made a kind of bower there, where I used to pass my mornings reading poetry and romances. I carved hearts and darts on the tree, and hung it with garlands. My heart was full to overflowing, and wanted some faithful bosom into which it might relieve itself. What is a lover without a confidante? I thought at once of my sister Sophy, my early playmate, the sister of my affections. She was so reasonable, too, and of such correct feelings, always listening to my words as oracular sayings, and admiring my scraps of poetry as the very inspirations of the muse. From such a devoted, such a rational being, what secrets could I have? I accordingly took her one morning to my favorite retreat. She looked around, with delighted surprise, upon the rustic seat, the bower, the tree carved with emblems of the tender passion. She turned her eyes upon me to inquire the meaning.