The Cream of the Jest: A comedy of evasionsCabell, James Branch
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The Cream of the Jest: A comedy of evasions
Cabell, James Branch
Allegories; Authors -- Fiction; Dreams -- Fiction; Fantasy fiction
“Peregrination in the realms of gold possesses also the quite
inestimable advantage that therein one’s personality is
contraband. As when Dante makes us free of Hell and Heaven, it
is on the fixed condition of our actual love and hate of divers
Renaissance Italians, whose exploits in the flesh require to-day
the curt elucidation of a footnote, just so, admission to those
high delights whereunto Shelley conducts is purchased by
accrediting to clouds and skylarks—let us sanely admit—a
temporary importance which we would never accord them unbiased.
The traveler has for the half-hour exchanged his personality for
that of his guide: such is the rule in literary highways, a very
necessary traffic ordinance: and so long as many of us are, upon
the whole, inferior to Dante or Shelley—or Sophocles, or
Thackeray, or even Shakespeare—the change need not make entirely
for loss....”
Yes, it is lightly phrased; but, after all, it is only another way of
confessing that his books afforded Kennaston an avenue to forgetfulness
of that fat pasty fellow whom Kennaston was heartily tired of being. For
one, I find the admission significant of much, in view of what befell
him afterward.
And besides—so Kennaston’s thoughts strayed at times—these massed books,
which his predecessor at Alcluid had acquired piecemeal through the term
of a long life, were a part of that predecessor’s personality. No other
man would have gathered and have preserved precisely the same books, and
each book, with varying forcefulness, had entered into his predecessor’s
mind and had tinged it. These parti-colored books, could one but
reconstruct the mosaic correctly, would give a candid portrait of “your
Uncle Henry in Lichfield,” which would perhaps surprise all those who
knew him daily in the flesh. Of the fact that these were unusual books
their present owner and tentative explorer had no doubt whatever. They
were perturbing books.
Now these books by their pleasant display of gold-leaf, soberly aglow in
lamplight, recalled an obscure association of other tiny brilliancies;
and Felix Kennaston recollected the bit of metal he had found that
evening.
Laid by the lamp, it shone agreeably as Kennaston puckered his
protruding brows over the characters with which it was inscribed. So far
as touched his chances of deciphering them, he knew all foreign
languages were to him of almost equal inscrutability. French he could
puzzle out, or even Latin, if you gave him plenty of time and a
dictionary; but this inscription was not in Roman lettering. He wished,
with time-dulled yearning, that he had been accorded a college
education....
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IV
How There Was a Light in the Fog
AS she came toward him through the fog, “How annoying it is,” she was
saying plaintively, “that these moors are never properly lighted.”
Public-domain text, read in full here on John Shaqi.
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