The Cream of the Jest: A comedy of evasionsCabell, James Branch
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The Cream of the Jest: A comedy of evasions
Cabell, James Branch
Allegories; Authors -- Fiction; Dreams -- Fiction; Fantasy fiction
“My friend, all men have striven to do that; and I have evaded each one
of them at the last, and innumerable are the ways of my elusion. There
is no man but has loved me, no man that has forgotten me, and none but
has attempted to express that which he saw and understood when I was
visible.”
“Do I not know? There is no beauty in the world save those stray hints
of you, Ettarre. Canvas and stone and verse speak brokenly of you
sometimes; all music yearns toward you, Ettarre, all sunsets whisper of
you, and it is because they waken memories of you that the eyes of all
children so obscurely trouble and delight us. Ettarre, your unattainable
beauty tears my heart. There is nothing, nothing in me that does not cry
out for love of you. And it is the cream of a vile jest that I am
forbidden ever to win quite to you, ever to touch you, ever to see you
even save in my dreams!”
“Already this dream draws toward an end, my poor Horvendile.”
And he saw that the great doors—which led to death—were unclosing: and
beyond them he saw confusedly a mob of red-capped men, of malignant
frenzied women, of wide-eyed little children, and the staid officials,
chatting pleasantly among themselves, who came to fetch that day’s tale
of those condemned to the guillotine. But more vividly Kennaston saw
Ettarre and how tenderly she smiled, in thin wintry sunlight, as she
touched Kennaston upon the breast, so that the dream might end and he
might escape the guillotine.
------------------------------------------------------------------------
VI
Of One Enigma that Threatened to Prove Allegorical
THEN again Kennaston stood alone before a tall window, made up of many
lozenge-shaped panes of clear glass set in lead framework. He had put
aside one of the two great curtains—of a very fine stuff like gauze,
stitched over with transparent glittering beetle-wings, and embroidered
with tiny seed pearls—which hung before this window.
Snow covered the expanse of house-tops without, and the sky without was
glorious with chill stars. That white city belonged to him, he knew,
with a host of other cities. He was the strongest of kings. People
dreaded him, he knew; and he wondered why any one should esteem a frail
weakling such as he to be formidable. The hand of this great king—his
own hand, that held aside the curtain before him—was shriveled and
colorless as lambs’ wools. It was like a horrible bird-claw.
(“_But then I have the advantage of remembering the twentieth century,”
he thought, fleetingly, “and all my contemporaries are superstitious
ignorant folk. It is strange, but in this dream I appear to be an old
man. That never happened before._”)
A remote music resounded in his ears, and cloying perfumes were about
him....
Public-domain text, read in full here on John Shaqi.
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