The Cream of the Jest: A comedy of evasionsCabell, James Branch
Science
The Cream of the Jest: A comedy of evasions
Cabell, James Branch
Allegories; Authors -- Fiction; Dreams -- Fiction; Fantasy fiction
“Then I turned from warfare, and sought for wisdom. I learned all that
it is permitted any man to know—oh, I learned more than is permissible.
Have I not summoned demons from the depths of the sea, and at the Sabbat
have I not smitten haggard Gods upon the cheek? Yea, at Phigalia did I
not pass beneath the earth and strive with a terrible Black Woman, who
had the head of a horse, and wrest from her what I desired to know? Have
I not talked with Morskoi, that evil formless ruler of the Sea-Folk, and
made a compact with him? And has not even Phobetor, whose real name may
not be spoken, revealed to me his secrets, at a paid price of which I do
not care to think, now I perceive that all which has known life must
suffer death?
“Yea, by the Hoofs of the Goat! it seems to me that I have done these
things; yet how may I be sure? For I have learned, too, that all man’s
senses lie to him, that nothing we see or hear or touch is truthfully
reported, and that the visible world at best stands like an island in an
uncharted ocean which is a highway, none the less, for much alien
traffic. Yet, it seems to me that I found means whereby the universe I
live in was stripped of many veils. It seems to me that I do not regret
having done this.... But presently I shall be dead, and all my
dearly-purchased, wearily-earned wisdom must lie quiet in a big stone
box, and all which has known life must suffer death.
“For death is mighty, and against it naught can avail: it is terrible
and strong and cruel, and a lover of bitter jests. And presently,
whatever I have done or learned or dreamed, I must lie helpless where
worms will have their will of me, and neither the worms nor I will think
it odd. For all which has known life must suffer death.”
A remote music resounded in his ears, and cloying perfumes were about
him. Turning, he saw that the walls of this strange room were of
iridescent lacquer, worked with bulls and apes and parrots in raised
gold: black curtains screened the doors: and the bare floor was of
smooth sea-green onyx. A woman stood there, who did not speak, but only
waited. At length he knew what terror was, for terror possessed him
utterly; and yet he was elated.
“You have come, then, at last....”
“To you at last I have come as I come to all men,” she answered, “in my
good hour.” And Ettarre’s hands, gleaming and half-hidden with jewels,
reached toward his hands, so gladly raised to hers; and the universe
seemed to fold about him, just as a hand closes.
* * * * *
Was it as death she came to him in this dream?—as death made manifest as
man’s liberation from much vain toil? Kennaston, at least, preferred to
think his dreams were not degenerating into such hackneyed crude
misleading allegories. Or perhaps it was as ghost of the dead woman he
had loved she came, now that he was age-stricken and nearing death, for
in this one dream alone he had seemed to be an old man.
Public-domain text, read in full here on John Shaqi.
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